Subtitles

I wonder I wonder what she would do if 00:00:00

I wonder I wonder what she would do if you had the power to dream at night any 00:00:04

dream you wanted to dream and you would 00:00:12

have cost be able to alter your time 00:00:14

sense and slip say 75 years of 00:00:19

subjective time into eight hours of 00:00:22

sleep you would I suppose start out by 00:00:29

fulfilling all your wishes you could 00:00:35

design for yourself what would be the 00:00:37

most ecstatic life love affairs banquets 00:00:43

dancing girls wonderful journeys Gardens 00:00:49

music beyond belief and then after a 00:00:56

couple of months of this sort of thing 00:00:59

at 75 years a night you would be getting 00:01:04

a little taste for something different 00:01:06

and you would move over to an 00:01:10

adventurous dimension where there was 00:01:14

sudden dangers involved in the thrill of 00:01:16

dealing with dangers and you could 00:01:19

rescue princesses from dragons and go on 00:01:24

dangerous journeys make wonderful 00:01:29

explosions and blow them up and 00:01:33

eventually get into contests with 00:01:35

enemies and after you've done that for 00:01:39

some time you'll think up a new wrinkle 00:01:42

to forget that you were dreaming so that 00:01:48

you would think it was all for real and 00:01:51

to be anxious about it and then because 00:01:58

to be so great when you woke up and then 00:02:02

you say well like children who dare each 00:02:06

other on things 00:02:07

how far out could you get 00:02:07

what could you take what dimension of being lost of abandonment of your power 00:02:13

what dimension of that could you stand 00:02:20

you could ask yourself this because you 00:02:22

know you would eventually wake up and 00:02:26

after you've gone on doing this you see 00:02:28

for some time you would suddenly find 00:02:29

yourselves sitting around in this room 00:02:33

with all your personal involvement 00:02:36

problems etc talking with me how do you 00:02:41

know that that's not what you're doing 00:02:44

it could be because after all what would 00:02:48

you do if you were God if you were what 00:02:54

there is the self in the Upanishads the 00:02:57

basic text of Hinduism one of them 00:03:00

starts out saying in the beginning was 00:03:02

the self and looking around it said I am 00:03:07

and thus it is that everyone to this day 00:03:10

when asked who is there says it is I and 00:03:14

thereafter gives whatever particular 00:03:16

name he may have for if you were God and 00:03:26

in this sense that you knew everything 00:03:28

and she were completely transparent to 00:03:31

yourself through and through you would 00:03:35

be bored because 00:03:35

if looking at it from another way we push technology to its furthest possible 00:03:47

development and we had instead of a dial 00:03:53

telephone on one's desk a more complex 00:03:57

system of buttons and OneTouch beep 00:04:02

would give you anything you wanted 00:04:05

Aladdin's lamp you would eventually have 00:04:10

to introduce a button labeled surprise 00:04:15

[Laughter] 00:04:17

because all perfectly known futures as I 00:04:20

pointed out are past they have happened 00:04:25

virtually it is only the true future is 00:04:31

a surprise so if you were God you would 00:04:35

say to yourself man get lost and it's 00:04:41

strange that this idea is obscurely 00:04:45

embedded in the Christian tradition when 00:04:48

in the Epistle to the Philippians st. 00:04:51

Paul speaks of God the Son the logos the 00:04:56

Word of God who was incarnate in Christ 00:04:58

and says let this mind be in you which 00:05:03

was also in Christ Jesus who being in 00:05:06

the form of God thought not equality 00:05:08

with God a thing to be clung to but made 00:05:13

himself of no reputation and humbled 00:05:17

himself and was found in fashion as a 00:05:19

man and became obedient to death same 00:05:24

idea same ideas the idea of the dream 00:05:28

and you get that very far-out dream of 00:05:33

getting as extreme as you can get 00:05:33

and so this then is the basis of the Hindu view of the universe and of man 00:05:42

the Hindu looks upon the universe as a drama the Westerner of course looks upon 00:05:50

the universe as a construct as something 00:05:58

made and it is not therefore 00:06:01

insignificant that Jesus was the son of 00:06:03

a carpenter 00:06:03

the Chinese looks upon the universe as an organism as we shall subsequently see 00:06:11

but the dramatic idea is basic to 00:06:17

Hinduism now you can speak about 00:06:22

Hinduism on two levels at least one I 00:06:26

will call the metaphysical level and the 00:06:29

other the mythological level if you 00:06:33

speak on the metaphysical level you can 00:06:36

speak only in negative language you can 00:06:41

say what the divine the ultimate reality 00:06:44

is not if you speak on the mythological 00:06:48

level you may speak of what the divine 00:06:51

is like because myth is not a falsehood 00:06:56

as one uses the word in a sophisticated 00:06:58

way a myth is an image a concrete image 00:07:02

in terms of which man makes sense of the 00:07:05

world and thus the idea of God the 00:07:08

Father or God the maker is a myth 00:07:11

because it's an image and Christian 00:07:15

theologians distinguish equally between 00:07:17

two kinds of theological language which 00:07:19

are respectively called catyph attic and 00:07:21

apophatic a prophetic language is 00:07:26

negative as when we say God is infinite 00:07:29

and eternal katha fatik language is 00:07:34

mythological as when we say God the 00:07:36

Father God is love and all the positive 00:07:40

designations we are not saying God is a 00:07:44

cosmic male parent but is analogous with 00:07:48

the father 00:07:50

so with Hinduism what I'm going to speak 00:07:53

to you in first of all is the 00:07:54

mythological language of Hinduism the 00:07:58

idea of the universe as the big act the 00:08:03

universe is God playing hide and seek 00:08:05

with himself 00:08:08

for God is thought of fundamentally to 00:08:10

the Hindu as the self v self the cosmic 00:08:15

I and it is a basic proposition for the 00:08:23

Hindu that only the self the Godhead is 00:08:28

real there is nothing other than the 00:08:32

Godhead so that the appearance the 00:08:36

feeling that there are other things than 00:08:39

the Godhead is called Maya Maya we 00:08:53

ordinarily translate that word illusion 00:08:56

but you must be careful about the word 00:08:59

illusion illusion is related to the 00:09:01

Latin ludora and that means play and 00:09:11

this is why the analogy of the world is 00:09:14

dramatic it's a play in the sense of a 00:09:19

stage play now when you go to the 00:09:28

theatre you know what you're going to 00:09:32

see is not for real because the 00:09:37

proscenium arch tells you that at 00:09:41

everything that happens on the far side 00:09:42

of that arch is only in play not serious 00:09:48

but the actor and you will hope that he 00:09:52

will be good at it is going to try and 00:09:54

persuade you that it's for real so that 00:09:57

he will so move you that you are crying 00:09:59

or sitting in anxiety upon the edge of 00:10:02

your chair 00:10:04

and so the audience is almost persuaded 00:10:08

to be taken in now what about if this 00:10:12

would happen with the very best actor of 00:10:14

all the great actor the audience would 00:10:18

have cost be completely taken in but in 00:10:21

this case of course the actor and the 00:10:23

audience are the same the self the self 00:10:28

has thus the capacity to abandon itself 00:10:31

to forget itself to hide from itself and 00:10:33

thus to make the most completely 00:10:36

convincing illusion but in play and so 00:10:40

the activity the creative activity of 00:10:42

the Godhead in Hinduism is called Leela 00:10:46

which means play our word lilt is 00:10:51

related to it I think but so also in the 00:10:55

book of Proverbs you will find a 00:10:59

discourse being given by the divine 00:11:02

wisdom the Lord possessed me in the 00:11:04

beginning of his ways before his works 00:11:05

of old I think it's the 22nd chapter of 00:11:09

Proverbs in the course of which the 00:11:12

wisdom says that its delight whilst to 00:11:18

rejoice the King James Bible says in the 00:11:20

presence of God and with the sons of men 00:11:24

but the Hebrew translated rejoice says 00:11:27

play rejoices are sort of dignified 00:11:32

Elizabethan but it says play and son 00:11:37

Thomas aware of this said that the 00:11:40

divine wisdom was above all to be 00:11:43

compared with games because games are 00:11:46

played for their own sake and not for 00:11:49

any sort of ulterior motive 00:11:53

so also music is a kind of non purposive 00:11:58

thing because you don't either play 00:12:01

music to reach a destination nor do you 00:12:06

dance to reach a particular place on the 00:12:08

floor it is the doing of it itself that 00:12:12

is important because after all if the 00:12:15

object of music were to gain a certain 00:12:17

test in 00:12:18

those orchestras that played fastest 00:12:20

would be considered the best so the the 00:12:25

idea is that the that dancing and music 00:12:30

more than other arts represent the 00:12:33

nature of this world that it is playful 00:12:37

that it is sport that is maybe sincere 00:12:40

that is definitely not serious and as G 00:12:44

K Chesterton well put it once the Angels 00:12:46

fly because they take themselves lightly 00:12:49

[Laughter] 00:12:49

how much more so the Lord of the Angels 00:12:54

so if a beautiful lady should say to me I love you and I were to reply are you 00:13:03

serious or are you just playing with me 00:13:12

that would be quite the wrong response 00:13:14

because I hope she's not serious and 00:13:17

that she will play with me I should say 00:13:21

are you sincere or are you just toying 00:13:23

with me because you see the word play 00:13:26

has many different senses a person who 00:13:30

is playing the organ in church is 00:13:33

certainly not doing something trivial 00:13:35

when you go to see a play called Hamlet 00:13:38

you are not seeing something trivial 00:13:41

when the concert artist plays Mozart he 00:13:45

is certainly entertaining you but it's 00:13:47

not a trivial entertainment but on the 00:13:51

other hand we would use play in a quite 00:13:53

a different sense when we mean just 00:13:55

fooling around doing it for kicks so it 00:14:02

is fundamental as a matter of fact to 00:14:04

both the Hindu and the Christian 00:14:05

traditions that the universe is the play 00:14:08

of God but the Christian thinks of it in 00:14:12

the terms of a construction play like 00:14:16

building with blocks and the Hindu 00:14:19

thinks of it as dramatic play of the 00:14:22

actual participation of the Godhead in 00:14:25

the creation so that every being 00:14:28

whatsoever is God in disguise 00:14:28

Hinduism speaks of the Godhead as you uses the word Brotman this is a neuter 00:14:37

form in Sanskrit from the root brief 00:14:50

which means to grow to expand to swell 00:14:55

the neuter form 00:15:00

grotmann does not have quite the 00:15:05

connotation then you see of kingship 00:15:08

that we will find attached to the 00:15:11

Western idea of God but is also referred 00:15:14

to as Atman and this word we translate 00:15:20

ordinarily the self so you can have the 00:15:24

para param you put the M in to connect 00:15:33

the particle Paramatma which means 00:15:36

Paradas supreme self or sometimes just 00:15:42

the Atman alone and that means the self 00:15:45

in you but the fundamental principle of 00:15:49

Indian philosophy is Atman is Brahman 00:15:54

yourself is the supreme self or it is 00:16:00

expressed in also in the formula tat 00:16:04

drum I see colloquially translated your 00:16:10

it or taught that to one Latin - um you 00:16:17

I see ah your you are that that thou art 00:16:17

taught of course is the first word I've heard by baby 00:16:27

ah and father's flatter themselves that 00:16:34

it's saying Dada it's not saying that 00:16:34

and so it's pointing to that nests in everything it's very important to see 00:16:45

this because everything is just that I 00:16:47

can say in a negative way which you won't appreciate at first perhaps 00:17:03

everything is meaningless only words 00:17:09

have meaning because they point to 00:17:13

something other than themselves the 00:17:15

sound water is undrinkable but it points 00:17:20

to the drinkable reality but you say 00:17:24

there what is that pointing at the water 00:17:26

and somebody says water is not being 00:17:29

correct because what you are pointing at 00:17:31

is not the noise water so it's not water 00:17:34

it's that duh and waters are kind of 00:17:39

jazz and it's just doing that and you 00:17:49

can get to see two people are a kind of 00:17:51

jazz they talk and communicate with each 00:17:55

other but what does that mean well they 00:17:57

get together and they make more people 00:17:59

and they do this and they do that and 00:18:00

they eat and they go on doing this jazz 00:18:02

but it's just jazz you begin to see as 00:18:07

you do that everything's like music you 00:18:09

see it's all is complicated vibrations 00:18:12

can catch you could you could you could 00:18:13

you could you could you could you could 00:18:14

you could you could you could you could 00:18:15

you or no all kinds of ways that's that 00:18:18

or that nurse ha ha ha also called in 00:18:22

Sanskrit so anyway this is the 00:18:26

fundamental notion that you are really 00:18:31

what there is the works only you're 00:18:36

playing hide and seek with yourself and 00:18:38

on a stupendous scale Hindus measure 00:18:44

time in units which in Sanskrit are 00:18:48

called Kalpa 00:18:51

and a calper is a period of four million 00:18:51

and a calper is a period of four million three hundred and twenty thousand years 00:18:56

and there are two kinds of calper one is 00:19:06

called manvantara and the other is 00:19:15

called pralaya manvantara is the calper 00:19:25

in which the universe is manifested in 00:19:27

other words in which god puts on his big 00:19:30

act and pralaya is the succeeding Kalpa 00:19:34

in which the universe is unmanifested 00:19:36

and the Godhead does not dream but is 00:19:40

awake to its own nature these are called 00:19:44

respectively the days and the nights of 00:19:47

the brahmand and this goes on forever 00:19:51

and ever and ever and ever the days and 00:19:54

nights adding up into years and 00:20:00

centuries and eons 00:20:00

they speak of crawe there's a sanskrit measure cross CRO re sort of a word that 00:20:11

really I think means umpteen crores of 00:20:19

CalPERS and this is the in breathing and 00:20:27

the out breathing there's the word hung 00:20:32

saw in this word in Sanskrit hung saw 00:20:36

means a swan or a big water bird like a 00:20:42

gander there's a myth that the there is 00:20:47

in the beginning the divine bird which 00:20:48

lays the egg of the world and the egg 00:20:51

splits and the upper is the heavens and 00:20:53

the lower is the earth so when the 00:21:00

worlds are manifested 00:21:01

the Lord breathing out says tongue and 00:21:07

when the wells are withdrawn the breath 00:21:09

comes back hmm 00:21:14

but if you say hyung Sarang Sarang 00:21:17

Sarang it becomes so hyung ha ha ah 00:21:23

hyung that means sir means that the 00:21:29

truth uh-huh I am I am that it's like 00:21:35

imagine when we get to the final moment 00:21:42

in which the world is blown up you know 00:21:46

imagine the countdown this is the end 00:21:49

somebody's push the button eight seven 00:21:52

six five four three two one 00:21:52

[Music] 00:22:21

what are you listening to sound of the waves 00:22:29

and you can sit and listen to the little waves on the seashore and you'll get 00:22:40

back here into this kind of thinking and 00:22:45

you are hearing the ocean of the 00:22:46

universe going and that's your breathing 00:22:50

- it's all one rhythm so it may be that 00:22:57

every star was once a planet populated 00:23:00

by intelligent people who found out 00:23:03

about the fundamental energy of the 00:23:05

universe and blew themselves up and as 00:23:08

they blew up they scattered all kinds of 00:23:10

stuff out which became little planets 00:23:13

which in a long time life started all 00:23:17

over again because the Hindu theory is 00:23:20

very odd every cow part in a manvantara 00:23:25

period whether the manifested world is 00:23:27

divided into four subdivisions of time 00:23:30

each one of which is called a Yuga that 00:23:37

means roughly an epoch or an era and 00:23:39

there are four yugas and they're named 00:23:42

after the different throws in the Indian 00:23:44

game of dice there are four such throws 00:23:49

and the first is called critter that 00:23:49

means Cree means to do as when we say something is done truly done it's the 00:23:58

perfect throw of four the second is 00:24:05

called threatre 00:24:06

which is the throw of three the next is 00:24:10

called dois para which is the throw of 00:24:12

two and the final one is called Kali 00:24:16

which means the worst throw which is the 00:24:19

throw of one now each of these periods 00:24:23

of the Cowper are of different lengths 00:24:27

Krita is the longest and kali is the 00:24:29

shortest and so ranged so that when the 00:24:34

world is first manifested as in those 00:24:36

dreams that i were mentioning to you the 00:24:38

world is in a golden age to begin with 00:24:41

it's perfect and that is the longest 00:24:44

period of time then when we get a little 00:24:47

bit more adventurous you see the treta 00:24:51

means that in 00:24:52

this era a kind of disharmony as' 00:24:54

element enters into things it's like a 00:24:57

three-legged chair isn't so secure as a 00:24:59

falling in chair it's just a bit 00:25:01

inclined to tip and as there was a fly 00:25:06

in the ointment the snake in the garden 00:25:10

then comes drop ara in which the forces 00:25:13

of good and evil are equally balanced 00:25:17

and finally Kali which is the shortest 00:25:21

period where the forces of evil are 00:25:23

triumphant and the world is destroyed at 00:25:26

the end of it for them the Godhead 00:25:28

appears in the form of Shiva who 00:25:32

represents the destructive aspect of the 00:25:35

divine energy and aware as Brahma is the 00:25:39

creator Vishnu the preserver Shiva the 00:25:42

destroyer but Shiva is always the 00:25:44

destroyer in the sense of the Liberator 00:25:46

the guy who breaks up the ruts and he 00:25:51

comes on with a blue body and ten arms 00:25:53

and a necklace of skulls Indian gods 00:25:58

have many arms because they are cosmic 00:26:01

centipedes they do all things without 00:26:05

having to think about it 00:26:06

like the centipede doesn't have to think 00:26:07

about how to manipulate its legs like 00:26:10

you don't have to think how to grow your 00:26:11

hair and as Shiva dance is what is 00:26:15

called the Tandava which is the dance of 00:26:17

destruction at the end of the cycle at 00:26:18

the end of the Kappa you will see that 00:26:22

his hands contain clubs and knives and 00:26:25

bells but one hand is like that and that 00:26:29

gesture means don't be afraid it's a big 00:26:32

act it is all as it were the outflowing 00:26:37

of your own consciousness of your own 00:26:40

mind now then 00:26:47

the Hindu life is related to this 00:26:51

cosmology and the objective of life is 00:27:04

of course in the end to wake up from the 00:27:07

dream when you've had enough 00:27:10

and so the Dreaming process is called 00:27:15

sometimes samsara some sorrow is the 00:27:26

round the rat race and samsara is 00:27:35

divided into six divisions up at a draw 00:27:45

a map I think this is common you see 00:27:48

cosmology to both the Hindus and the 00:27:50

Buddhists this is the world of the devar 00:27:56

and through this is the same route from 00:28:00

which we get both divine and devil the 00:28:03

Dave Amin's angel the highest and most 00:28:08

successful beings in the universe and so 00:28:11

opposite this is the world of nark 00:28:14

Naraka who are the most unsuccessful 00:28:19

these are the purgatorial worlds of 00:28:23

extreme suffering this is the world of 00:28:27

Ashura they are also angels but they're 00:28:31

angry angels representing the the wrath 00:28:35

potential of energy this is the world of 00:28:39

animals 00:28:39

this is the world of praetor for which we have no English equivalent hungry or 00:28:46

frustrated spirits who have enormous 00:28:52

stomachs but mouths only the size of 00:28:55

needles vast appetite and no means of 00:28:58

fulfillment and this is the Manu world 00:29:02

that is to say the world of man you 00:29:07

don't have to take this literally you 00:29:11

could say when you are extremely happy 00:29:13

or ecstatic you're here when you are 00:29:16

miserable you are here when you're dumb 00:29:18

you are here when you're mad you're here 00:29:21

when you're frustrated you're here but 00:29:23

when you're more or less your normal 00:29:24

rational self you're here now so all 00:29:32

life through the period of the CalPERS 00:29:35

goes grinding around this wheel and if 00:29:41

you go up and you succeed and you get to 00:29:43

the top you have to come down they don't 00:29:49

see success in other words in the world 00:29:51

as a method of liberation because it 00:29:54

implies failure so the idea of 00:29:59

liberation which is called moksha is the 00:30:08

ideal of Hindu life wake up it's a dream 00:30:08

and in time there is no hope in time everything is going to get worse in time 00:30:19

because as you know it does we all fall 00:30:23

apart in the end everything falls apart 00:30:26

institutions buildings Nations it all 00:30:30

crumbles and people say well that's an 00:30:34

awfully pessimistic philosophy well is 00:30:41

it 00:30:43

I would rather say that the people who 00:30:46

have hope in the future are the 00:30:48

miserable people because they are like 00:30:50

donkeys chasing carrots that are dangled 00:30:53

before their noses from sticks attached 00:30:55

to their colors and they pursue and they 00:30:59

pursue in vain always hoping that 00:31:02

tomorrow will be the great thing and 00:31:04

therefore incapable of enjoying 00:31:06

themselves today people who live for the 00:31:12

future never get there because when 00:31:15

their plans mature they are not there to 00:31:18

enjoy them they're the sort of people 00:31:22

who spend their lives saving for their 00:31:24

old age I'm trying to teach their 00:31:27

children to do the same thing so that 00:31:29

when they retire at 65 you know they 00:31:33

have false teeth and wrinkles and 00:31:35

prostate trouble and all that sort of 00:31:37

thing 00:31:38

where were you going what did you think 00:31:40

it was all about furthermore the fact 00:31:44

that life is transient is part of its 00:31:48

liveliness the poets in speaking of the 00:31:52

transience of the world always out of 00:31:54

their best poetry you know our revels 00:32:01

now are ended these are actors as I 00:32:03

foretold you are all spirits and are 00:32:05

melted into air into thin air and like 00:32:09

the baseless fabric of this vision the 00:32:12

cloud-capped towers the gorgeous palaces 00:32:14

the solemn temples the great earth 00:32:16

itself I all which it inherit shall 00:32:18

dissolve and like this insubstantial 00:32:21

pageant faded leave not a rack behind we 00:32:26

are such stuff as dreams are made of and 00:32:28

our little life is rounded with a sleep 00:32:31

and said so well it doesn't seem so bad 00:32:35

after all does it 00:32:36

[Laughter] 00:32:36

you see there's always in in the the poetry of Evanescence a kind of funny 00:32:47

nostalgia moralists will say those 00:32:58

lovely lips which you so delight to kiss 00:33:00

today will in a few years rot and 00:33:03

disclose the grinning teeth of a skull 00:33:05

so what the skull says lying in the 00:33:15

grass 00:33:16

chattering Finch and water fly are not 00:33:18

merrier than I here among the flowers I 00:33:21

lie laughing everlastingly though I may 00:33:26

not tell the best surely friends I could 00:33:28

have guessed death was but the good 00:33:30

Kings jest it was hid so carefully and 00:33:35

monks used to keep skulls on their desks 00:33:38

and people nowadays think that was very 00:33:41

morbid I went and visited a chapel in 00:33:45

the Via Veneto in Rome where there's a 00:33:50

crypt where all the altar furnishings 00:33:52

are made out of human bones the altars 00:33:56

of piles of skulls 00:33:57

there are rib bones arranged across the 00:34:01

ceiling like floral patterns with 00:34:03

vertebrae representing flowers and 00:34:07

they're all dead capuchin monks and 00:34:10

there's a funny little monk collecting 00:34:13

the admissions up at the top and he has 00:34:16

one of the funniest grins on his face I 00:34:18

see in a long time I said to him you 00:34:23

know how the day of resurrection there's 00:34:25

gonna be an awful lot of scuttling up 00:34:27

this narrow stack 00:34:27

people try to reassemble their bones hope your father isn't let my fifth 00:34:33

metatarsal so the whole idea you see is 00:34:46

that everything's falling apart so don't 00:34:51

try and stop it when you're falling off 00:34:53

a precipice it doesn't do you any good 00:34:55

to hang on hang on to a rock that's 00:34:56

falling with you see but everything is 00:34:59

doing that and so again this is another 00:35:01

case of our completely wasting our 00:35:03

energy in trying to prevent the world 00:35:05

from falling apart don't do it and then 00:35:10

you'll be able to do something 00:35:11

interesting with the free energy so 00:35:15

that's moksha because when the Hindu 00:35:19

says everything is unreal the Westerner 00:35:23

reacts and says no no you can't treat 00:35:25

life as a dream it's serious it's real 00:35:27

it's for real what do you mean by that 00:35:31

look I really wanted to be this is in 00:35:38

other words everything insofar as it's 00:35:41

falling apart everything is changing it 00:35:44

is like smoke and we all feel that smoke 00:35:47

has a lesser degree of reality than wood 00:35:50

it's an image of the evanescent of the 00:35:54

ghostly so this idea the whole world is 00:35:57

this Mirage that doesn't mean it's a bad 00:36:00

thing it's only bad if you cling to it 00:36:02

if you try to lean on it but if you 00:36:06

don't lean on it it's a grand illusion 00:36:07

so the word Maya and it means not only 00:36:10

illusion but it means art it means magic 00:36:15

and it means creative power so this is 00:36:20

the big act and it's perhaps easier to 00:36:27

feel the world in that way in a tropical 00:36:30

country 00:36:32

where death is very common and where you 00:36:37

just watch things dissolve before your 00:36:39

eyes 00:36:39

and yet burst out and grow again the 00:36:43

whole world is changing maybe easier to 00:36:47

think that way than in our environment 00:36:49

although when you're out in California 00:36:51

the human landscape changes so fast that 00:36:55

no town is the same for two years any 00:37:01

mailing list that you have changes 00:37:06

one-third addresses per annum nothing 00:37:13

stays put the hills are shadows and they 00:37:16

flow from form to form and nothing 00:37:17

stands now this you see is not a 00:37:22

pessimistic attitude therefore at all to 00:37:24

be able to realize that this world is 00:37:26

simply a dream 00:37:27

a dancing play of smoke fascinating yes 00:37:32

but don't lean on it life is a bridge 00:37:35

says one of the Hindu sayings pass over 00:37:38

it but build no house upon it and so 00:37:43

immediately you see that this is 00:37:45

responsible for the enormous gaiety of 00:37:48

certain Hindu sages this is a thing that 00:37:53

often puzzles Westerners the element of 00:37:57

they expected anybody who's an ascetic 00:38:00

or a sage or something to be rather 00:38:02

miserable with a glum face but on the 00:38:07

contrary you take this character who's 00:38:10

going around these days that mihashi 00:38:12

Mahesh he's always laughing because he 00:38:17

see through it he looks on every side 00:38:19

and there is the face of the beloved of 00:38:21

the divinity in everybody in every 00:38:23

direction in everything playing at being 00:38:25

you and you could look down into a 00:38:30

person's eyes way way in and you see the 00:38:34

self the eternal divine and what is so 00:38:38

funny when it puts on an expression 00:38:39

saying what me 00:38:41

[Laughter] 00:38:41

and the guru the teacher when people go to a guru they get all sorts of funny 00:38:51

ideas they think oh he's looking right 00:38:55

through me he sees me through and 00:38:58

through he knows how awful I am reads my 00:39:01

most secret thoughts cause he has a 00:39:03

funny look in his face he isn't even 00:39:08

interested in your secret thoughts he's 00:39:10

looking straight at the Godhead in you 00:39:12

with a funny expression on his face 00:39:14

which is saying why are you trying to 00:39:16

kid me 00:39:16

come off it Shiva I know who you are but and therefore you see his his role is to 00:39:27

gently humor you into waking up as to 00:39:39

your true nature now of course as I 00:39:43

intimated earlier if the Hindu is 00:39:47

therefore saying everybody is God and 00:39:50

this is why when a Hindu greets you he 00:39:54

does this that is the work the act of 00:39:58

puja or worship to the Godhead in you 00:40:02

and our theologians get rather worried 00:40:07

about that because you see the two 00:40:10

conceptions of God are different our 00:40:14

conception is of the boss man 00:40:16

the King theirs is of the cosmic 00:40:19

centipede with the many arms who does 00:40:23

not have to think how to make the world 00:40:26

or rather to act the world that would be 00:40:30

an insufferable nuisance you may think 00:40:34

it rather wonderful when San Thomas 00:40:37

tries to explain that God is fully aware 00:40:39

of everything that happens and in every 00:40:42

detail is willing each single vibration 00:40:44

of any mosquitos wing but when you 00:40:49

really begin to think about it that 00:40:52

approaches intellectual elephantiasis 00:40:52

God heard the embattled nation shout God Strava England and God saved the king 00:41:00

god this God that and God the other 00:41:04

thing good God said God I've got my work 00:41:06

cut out so therefore when somebody in 00:41:17

India suddenly announces that he's God 00:41:21

nobody accuses him of blasphemy or of 00:41:24

being insane they say simply 00:41:26

congratulations at last you found out 00:41:29

and they don't immediately request the 00:41:34

miracle as you see if we get across 00:41:38

someone who says I'm God or I'm Jesus 00:41:39

Christ they say what they said to Jesus 00:41:42

Christ in the first place 00:41:43

come on that this bread the stones be 00:41:45

made bread and you know he used to 00:41:51

wangle out of it by saying a wicked and 00:41:53

deceitful generation seeketh after a 00:41:55

sign and there shall no sign be given 00:41:58

the Hindu would say but there is no 00:42:04

point in changing it it's going the way 00:42:08

I want it to anyhow only really and 00:42:13

truly there is not this idea of God the 00:42:17

technician but rather the power or of 00:42:22

omnipotence is not to be able to do 00:42:25

anything but to be doing all things 00:42:28

whatever it is that's going on and 00:42:32

spontaneously without having to think 00:42:34

about it which is very clumsy now then I 00:42:43

must say something about how then this 00:42:48

relates to the life of the Hindu Hindu 00:42:55

divide life into certain stages what are 00:42:59

call the ash Rama's 00:42:59

the first is called brahmacarya ii gree hosta and the third vanaprastha 00:43:08

brahma chharia means the stage of the 00:43:17

student the apprenticeship gree hosta 00:43:20

the stage of the householder and 00:43:24

vanaprastha the stage of the forest 00:43:26

dweller this is related to cultural 00:43:34

history of early India before we have 00:43:39

agrarian communities we have a hunting 00:43:42

culture which is on the move in a 00:43:46

hunting culture every male knows the 00:43:50

whole culture there is no division of 00:43:52

labour and the holy man of the hunting 00:43:57

culture is of course called a shaman a 00:43:57

shaman is a a realized man a man who knows the inner secret he's seen through 00:44:14

the game and he finds it by going away 00:44:21

alone into the forest and cutting 00:44:27

himself off from the tribe that is to 00:44:30

say from social conditioning and he goes 00:44:34

maybe for a long period into the forest 00:44:35

and comes back he's found out who he is 00:44:38

and he sure isn't who he was told he was 00:44:42

but as hunting cultures settled into 00:44:45

agrarian patterns of life what do they 00:44:47

do they build a village and around the 00:44:50

village they set up a stockade which is 00:44:54

known as the pail and the village is 00:44:57

always of course standing at Crossroads 00:44:59

and there you get an agrarian society a 00:45:05

division of labor and the division of 00:45:08

labor comprises four 00:45:08

in medieval Europe we call them Lord spiritual Lords temporal Commons and 00:45:16

serfs in India they are Brahmins 00:45:21

Kshatriya that means fighters Vasia 00:45:30

merchants traders should row laborers so we've got the priests the warriors the 00:45:54

merchants and the laborers division of 00:46:01

labor the four sections of town and so 00:46:07

the four basic castes so when you are 00:46:11

born you are born into a caste and your 00:46:16

duty as a gree hosta or householder is 00:46:18

to fulfill your caste function and to 00:46:20

bring up a family when you've done that 00:46:23

you go back to the forest back to the 00:46:29

hunting culture and you drop your role 00:46:32

and you become nobody a shaman again so 00:46:39

Hindu calls one who does this a shramana 00:46:42

which is of course the same word as 00:46:45

shaman and the Chinese call him Asia 00:46:50

monk a shaman is an immortal why 00:46:59

immortal because it's only the role 00:47:01

that's model the big front the persona 00:47:04

the one who you really are 00:47:07

the common man that is to say the man 00:47:10

who is common to us all which you could 00:47:13

call the son of man that's the real self 00:47:16

that's the guy who's putting on the big 00:47:19

act 00:47:19

and of course he has no name nobody can put the finger on him because you can't 00:47:25

touch the tip of the finger with the tip 00:47:30

of the finger so that means in practice 00:47:38

then that when you hand over your 00:47:40

vocation in life which is called your 00:47:43

Dharma that means SWA that's the same as 00:47:46

the Latin suus one's own Dharma means 00:47:50

function your own function or we would 00:47:53

call your vocation when you've completed 00:47:56

it you drop out and become nobody 00:48:02

because you're going to find out now who 00:48:04

you really are you're no longer mr. mu 00:48:10

Kapadia who is a truss salesman you drop 00:48:17

that name and you take on one of the 00:48:20

names of God 00:48:20

Swami brahmananda Swami bliss of Brahman 00:48:24

and you're you may go quite naked like 00:48:30

the Shiite holy man no clothes and they 00:48:35

just go out and wander and don't make 00:48:38

any provision for anything they in 00:48:40

literally take no thought for the morrow 00:48:43

what you shall eat what you shall drink 00:48:45

or wherewithal they shall be clothed but 00:48:48

you see people respect them they say 00:48:52

yeah we got to have those people up 00:48:53

there because they are doing what human 00:48:56

being is ultimately supposed to do and 00:48:57

we shall do it in our turn and so give 00:49:00

them some food now naturally caste holy 00:49:08

men and all that kind of thing can be 00:49:10

exploited anything can be exploited and 00:49:14

abused and we can look at it all and say 00:49:19

what a mess why don't you do something 00:49:23

for yourselves why don't you kill the 00:49:25

sacred cows and eat them why don't you 00:49:28

clean up why do you permit all this 00:49:30

disease 00:49:30

just try and see something from another point of view for a change I'm not 00:49:39

saying that we should do what the Hindus 00:49:42

do but just look at it from another 00:49:44

point of view and they would smile at us 00:49:48

and say you really think it's as real as 00:49:51

all that 00:49:51

have you never experienced what's on the inside of this game see the trouble with 00:49:56

you Westerners is you've never 00:50:01

experienced bliss you've never got down 00:50:05

to the root of reality you don't know 00:50:06

that state of consciousness and so 00:50:10

you're frantically trying to patch 00:50:11

everything up and pin it all together 00:50:12

and screw the universe up so it's fixed 00:50:15

you can never do it all it is it got 00:50:18

wildly rushing around and creating 00:50:20

trouble of course Western educated 00:50:24

Hindus think the same way they are now 00:50:27

for rushing around and patching India up 00:50:30

and what's going to happen is they're 00:50:32

going to arm all the millions of people 00:50:34

in India and they're going to create a 00:50:36

lot of trouble in Asia one of these days 00:50:38

when they become powerful Society when 00:50:42

you read Milton's Paradise Lost 00:50:45

long before Lucifer decided to rebel the 00:50:49

whole of heaven was armed and he 00:50:52

describes the legions of angels with 00:50:54

their escutcheons and gone four lungs 00:50:55

and military department who was looking 00:50:59

for trouble you know Lucifer was a good 00:51:08

guy back there you see the bearer of 00:51:10

light so the Hindu looks at our 00:51:15

Christianity though and sort of thinks 00:51:19

my goodness here is the the the eternal 00:51:25

self but in the idea of Christianity the 00:51:29

the God the Godhead is having a real 00:51:32

far-out one because not only is he 00:51:36

incarnated himself say as some wretched 00:51:38

beggar but he's incarnated himself as a 00:51:41

Christian soul who believes that in this 00:51:45

one short life he will decide his 00:51:47

eternal death 00:51:48

and the possibilities of making a 00:51:51

mistake are far greater than of being a 00:51:54

lousy beggar the possibility involved in 00:51:58

the Christian gamble is to fry in hell 00:52:00

forever and ever and ever and ever 00:52:03

even the Avicii hell at the bottom of 00:52:05

the maracas only goes on for about one 00:52:08

Kalpa but the everlasting damnation what 00:52:12

an idea 00:52:13

so the Hindu says Bravo you know God has 00:52:17

really done it dare on himself this time 00:52:19

to be a Christian soul 00:52:19