Subtitles

you have to have an essential sense of 00:00:00

you have to have an essential sense of 00:00:03

you have to have an essential sense of Li and there's no way of prescribing it 00:00:03

Li and there's no way of prescribing it 00:00:09

Li and there's no way of prescribing it this is the very devil for teachers 00:00:09

this is the very devil for teachers 00:00:12

this is the very devil for teachers because you see all our universities and 00:00:12

because you see all our universities and 00:00:16

because you see all our universities and schools are trying to teach creativity 00:00:16

schools are trying to teach creativity 00:00:20

schools are trying to teach creativity that's the great thing these days know 00:00:20

that's the great thing these days know 00:00:22

that's the great thing these days know and you hear it the SL and all of the 00:00:22

and you hear it the SL and all of the 00:00:25

and you hear it the SL and all of the people are giving courses and workshops 00:00:25

people are giving courses and workshops 00:00:27

people are giving courses and workshops in creativity now the trouble is this if 00:00:27

in creativity now the trouble is this if 00:00:30

in creativity now the trouble is this if we found out a method whereby we could 00:00:30

we found out a method whereby we could 00:00:34

we found out a method whereby we could teach creativity and everybody could 00:00:34

teach creativity and everybody could 00:00:37

teach creativity and everybody could just explain how it was done it would no 00:00:37

just explain how it was done it would no 00:00:39

just explain how it was done it would no longer be of interest what always is an 00:00:39

longer be of interest what always is an 00:00:46

longer be of interest what always is an essential element in the creative is the 00:00:46

essential element in the creative is the 00:00:49

essential element in the creative is the mysterious the dark it's like the black 00:00:49

mysterious the dark it's like the black 00:00:53

mysterious the dark it's like the black in lacquer the impenetrable and yet the 00:00:53

in lacquer the impenetrable and yet the 00:00:58

in lacquer the impenetrable and yet the the profound depth out of which glorious 00:00:58

the profound depth out of which glorious 00:01:01

the profound depth out of which glorious things come but nobody can see why 00:01:01

things come but nobody can see why 00:01:04

things come but nobody can see why there's a poem which says that when the 00:01:04

there's a poem which says that when the 00:01:06

there's a poem which says that when the bird calls the mountain becomes more 00:01:06

bird calls the mountain becomes more 00:01:12

bird calls the mountain becomes more mysterious you imagine for example 00:01:12

mysterious you imagine for example 00:01:15

mysterious you imagine for example you're in a mountain valley and 00:01:15

you're in a mountain valley and 00:01:17

you're in a mountain valley and everything is very silent and suddenly a 00:01:17

everything is very silent and suddenly a 00:01:21

everything is very silent and suddenly a crow a squawks somewhere you don't know 00:01:21

crow a squawks somewhere you don't know 00:01:27

crow a squawks somewhere you don't know where that crow is and the little sound 00:01:27

where that crow is and the little sound 00:01:30

where that crow is and the little sound emphasizes the silence now all those 00:01:30

emphasizes the silence now all those 00:01:37

emphasizes the silence now all those things have in the museum element of 00:01:37

things have in the museum element of 00:01:39

things have in the museum element of mystery there's a Chinese poem which 00:01:39

mystery there's a Chinese poem which 00:01:41

mystery there's a Chinese poem which puts it this way it is a poem written by 00:01:41

puts it this way it is a poem written by 00:01:46

puts it this way it is a poem written by a man who has gone to find a sage in the 00:01:46

a man who has gone to find a sage in the 00:01:49

a man who has gone to find a sage in the mountains and sage has a little Hut at 00:01:49

mountains and sage has a little Hut at 00:01:52

mountains and sage has a little Hut at the foot of the mountain and the boy 00:01:52

the foot of the mountain and the boy 00:01:54

the foot of the mountain and the boy there who is his servant I asked the boy 00:01:54

there who is his servant I asked the boy 00:01:58

there who is his servant I asked the boy beneath the pines 00:01:58

beneath the pines 00:02:00

beneath the pines he said the Masters gone alone herb 00:02:00

he said the Masters gone alone herb 00:02:03

he said the Masters gone alone herb gathering somewhere on the Mount child 00:02:03

gathering somewhere on the Mount child 00:02:06

gathering somewhere on the Mount child hidden whereabouts unknown in so many 00:02:06

hidden whereabouts unknown in so many 00:02:13

hidden whereabouts unknown in so many athletic and artistic skills you will 00:02:13

athletic and artistic skills you will 00:02:21

athletic and artistic skills you will find a teacher who teaches you how to do 00:02:21

find a teacher who teaches you how to do 00:02:26

find a teacher who teaches you how to do it without forcing it I once studied the 00:02:26

it without forcing it I once studied the 00:02:32

it without forcing it I once studied the piano I'm absolutely no good at it now 00:02:32

piano I'm absolutely no good at it now 00:02:35

piano I'm absolutely no good at it now because I don't practice I've involved 00:02:35

because I don't practice I've involved 00:02:39

because I don't practice I've involved in other things but I had an absolutely 00:02:39

in other things but I had an absolutely 00:02:42

in other things but I had an absolutely superb teacher for a while he was a very 00:02:42

superb teacher for a while he was a very 00:02:47

superb teacher for a while he was a very very great musicologist you know there 00:02:47

very great musicologist you know there 00:02:49

very great musicologist you know there was nothing sloppy about his standards 00:02:49

was nothing sloppy about his standards 00:02:51

was nothing sloppy about his standards they were the highest perfection but 00:02:51

they were the highest perfection but 00:02:55

they were the highest perfection but when I first went to him he said let me 00:02:55

when I first went to him he said let me 00:02:59

when I first went to him he said let me see what you can do so I played him 00:02:59

see what you can do so I played him 00:03:00

see what you can do so I played him Escala he sonata he said yeah but the 00:03:00

Escala he sonata he said yeah but the 00:03:04

Escala he sonata he said yeah but the trouble with you is you're trying too 00:03:04

trouble with you is you're trying too 00:03:05

trouble with you is you're trying too hard you're hitting the piano and you 00:03:05

hard you're hitting the piano and you 00:03:08

hard you're hitting the piano and you should never hit a piano he said 00:03:08

should never hit a piano he said 00:03:12

should never hit a piano he said actually all you've got to do in order 00:03:12

actually all you've got to do in order 00:03:14

actually all you've got to do in order to play a piano is to drop your hands on 00:03:14

to play a piano is to drop your hands on 00:03:17

to play a piano is to drop your hands on it and you need to have relaxed arms so 00:03:17

it and you need to have relaxed arms so 00:03:21

it and you need to have relaxed arms so he made me practice for a while he felt 00:03:21

he made me practice for a while he felt 00:03:22

he made me practice for a while he felt my muscles to see whether I was relaxed 00:03:22

my muscles to see whether I was relaxed 00:03:24

my muscles to see whether I was relaxed or not and he said I'll just drop your 00:03:24

or not and he said I'll just drop your 00:03:26

or not and he said I'll just drop your hand on the piano I don't care what 00:03:26

hand on the piano I don't care what 00:03:27

hand on the piano I don't care what notes you hit but just drop your hand 00:03:27

notes you hit but just drop your hand 00:03:28

notes you hit but just drop your hand let it fall said there's enough energy 00:03:28

let it fall said there's enough energy 00:03:31

let it fall said there's enough energy in the weight of your arm to play as 00:03:31

in the weight of your arm to play as 00:03:33

in the weight of your arm to play as loud as you will or a soft as you will 00:03:33

loud as you will or a soft as you will 00:03:36

loud as you will or a soft as you will but just let it drop he said that's all 00:03:36

but just let it drop he said that's all 00:03:40

but just let it drop he said that's all you have to do drop your hands he kept 00:03:40

you have to do drop your hands he kept 00:03:41

you have to do drop your hands he kept feeling my arm he said no no you're 00:03:41

feeling my arm he said no no you're 00:03:42

feeling my arm he said no no you're getting too tense you must pretend you a 00:03:43

getting too tense you must pretend you a 00:03:44

getting too tense you must pretend you a loud sir and he was a very educated man 00:03:44

loud sir and he was a very educated man 00:03:49

loud sir and he was a very educated man he knew about easing and then he said 00:03:49

he knew about easing and then he said 00:03:56

he knew about easing and then he said now after dropping your hands all you 00:03:56

now after dropping your hands all you 00:03:59

now after dropping your hands all you got to do is to hit the right note he 00:03:59

got to do is to hit the right note he 00:04:04

got to do is to hit the right note he said you know the same thing is involved 00:04:04

said you know the same thing is involved 00:04:08

said you know the same thing is involved in making a very complex true and he 00:04:08

in making a very complex true and he 00:04:10

in making a very complex true and he demonstrated yes dropped his hand on the 00:04:10

demonstrated yes dropped his hand on the 00:04:12

demonstrated yes dropped his hand on the piano and at the same time his fingers 00:04:12

piano and at the same time his fingers 00:04:14

piano and at the same time his fingers went floated like that and there was 00:04:14

went floated like that and there was 00:04:17

went floated like that and there was this magnificent ornamentation then we 00:04:17

this magnificent ornamentation then we 00:04:23

this magnificent ornamentation then we went on with practices for some time he 00:04:23

went on with practices for some time he 00:04:25

went on with practices for some time he said now let's get around 00:04:25

said now let's get around 00:04:26

said now let's get around the right notes and he found immediately 00:04:26

the right notes and he found immediately 00:04:29

the right notes and he found immediately I had a block on reading music because 00:04:29

I had a block on reading music because 00:04:33

I had a block on reading music because when I was a small boy and studied piano 00:04:33

when I was a small boy and studied piano 00:04:36

when I was a small boy and studied piano at the age of roughly eight I had a test 00:04:36

at the age of roughly eight I had a test 00:04:41

at the age of roughly eight I had a test if ur Asst teacher who was a mistress in 00:04:41

if ur Asst teacher who was a mistress in 00:04:45

if ur Asst teacher who was a mistress in this private school I went to in England 00:04:45

this private school I went to in England 00:04:47

this private school I went to in England and she used to sit beside you would hit 00:04:47

and she used to sit beside you would hit 00:04:50

and she used to sit beside you would hit your fingers with a pencil every time 00:04:50

your fingers with a pencil every time 00:04:51

your fingers with a pencil every time you made a wrong note Gregory Bateson I 00:04:51

you made a wrong note Gregory Bateson I 00:04:58

you made a wrong note Gregory Bateson I think was taught piano and as a child in 00:04:58

think was taught piano and as a child in 00:05:00

think was taught piano and as a child in such a way and he has a total block on 00:05:00

such a way and he has a total block on 00:05:03

such a way and he has a total block on reading music 00:05:03

reading music 00:05:05

reading music the Viennese got a brilliant mind you 00:05:05

the Viennese got a brilliant mind you 00:05:08

the Viennese got a brilliant mind you know he was a mathematician and great 00:05:08

know he was a mathematician and great 00:05:10

know he was a mathematician and great anthropologist ethnologist and so on he 00:05:10

anthropologist ethnologist and so on he 00:05:12

anthropologist ethnologist and so on he has a total block to reading music and 00:05:12

has a total block to reading music and 00:05:15

has a total block to reading music and so this man had to teach me to overcome 00:05:15

so this man had to teach me to overcome 00:05:18

so this man had to teach me to overcome my block and he said now are first of 00:05:18

my block and he said now are first of 00:05:23

my block and he said now are first of all feel perfectly free to make mistakes 00:05:23

all feel perfectly free to make mistakes 00:05:27

all feel perfectly free to make mistakes here do you everybody is going to make 00:05:27

here do you everybody is going to make 00:05:30

here do you everybody is going to make some mistakes and it doesn't matter if 00:05:30

some mistakes and it doesn't matter if 00:05:31

some mistakes and it doesn't matter if you make a mistake and if you do make a 00:05:31

you make a mistake and if you do make a 00:05:33

you make a mistake and if you do make a mistake don't don't go back and do it 00:05:33

mistake don't don't go back and do it 00:05:35

mistake don't don't go back and do it over again but just go on the play as 00:05:35

over again but just go on the play as 00:05:39

over again but just go on the play as slowly as you like don't hurry it just 00:05:39

slowly as you like don't hurry it just 00:05:41

slowly as you like don't hurry it just so long as you keep the relative rhythm 00:05:41

so long as you keep the relative rhythm 00:05:43

so long as you keep the relative rhythm the relative values of the thing go slow 00:05:43

the relative values of the thing go slow 00:05:46

the relative values of the thing go slow and take it easy another thing is to not 00:05:46

and take it easy another thing is to not 00:05:50

and take it easy another thing is to not to pay so much attention to the notes 00:05:50

to pay so much attention to the notes 00:05:52

to pay so much attention to the notes but to the distances or intervals 00:05:52

but to the distances or intervals 00:05:55

but to the distances or intervals between them because that is the 00:05:55

between them because that is the 00:05:57

between them because that is the significant jump and this sort of 00:05:57

significant jump and this sort of 00:06:01

significant jump and this sort of overcomes to the difficulty of key 00:06:01

overcomes to the difficulty of key 00:06:04

overcomes to the difficulty of key signatures where we we start out with as 00:06:04

signatures where we we start out with as 00:06:08

signatures where we we start out with as it learn we started out learning music 00:06:08

it learn we started out learning music 00:06:10

it learn we started out learning music with this weird system that the nines on 00:06:10

with this weird system that the nines on 00:06:13

with this weird system that the nines on the stave really represent the major 00:06:13

the stave really represent the major 00:06:17

the stave really represent the major scale of C and that therefore when you 00:06:17

scale of C and that therefore when you 00:06:21

scale of C and that therefore when you put a key signature at the beginning you 00:06:21

put a key signature at the beginning you 00:06:24

put a key signature at the beginning you remember that every time you exposing 00:06:24

remember that every time you exposing 00:06:26

remember that every time you exposing you're playing an F every time you hit B 00:06:26

you're playing an F every time you hit B 00:06:29

you're playing an F every time you hit B it should be b-flat well that's 00:06:29

it should be b-flat well that's 00:06:32

it should be b-flat well that's extremely tedious way of learning music 00:06:32

extremely tedious way of learning music 00:06:34

extremely tedious way of learning music and you just have to think in different 00:06:34

and you just have to think in different 00:06:38

and you just have to think in different keys that's the only 00:06:38

keys that's the only 00:06:39

keys that's the only to adjust to a key signature and play in 00:06:39

to adjust to a key signature and play in 00:06:42

to adjust to a key signature and play in the thing according to the intervals 00:06:42

the thing according to the intervals 00:06:45

the thing according to the intervals appropriate for that key but you see in 00:06:45

appropriate for that key but you see in 00:06:49

appropriate for that key but you see in this instance this man although he was a 00:06:49

this instance this man although he was a 00:06:52

this instance this man although he was a great perfectionist and was highly 00:06:52

great perfectionist and was highly 00:06:54

great perfectionist and was highly skilled in music he used intelligence 00:06:54

skilled in music he used intelligence 00:06:58

skilled in music he used intelligence first of all to give you a shortcut and 00:06:58

first of all to give you a shortcut and 00:07:02

first of all to give you a shortcut and then he also used a relaxation to enter 00:07:02

then he also used a relaxation to enter 00:07:10

then he also used a relaxation to enter into a difficult thing by the easiest 00:07:10

into a difficult thing by the easiest 00:07:12

into a difficult thing by the easiest route in Zen training in its initial 00:07:12

route in Zen training in its initial 00:07:23

route in Zen training in its initial stages the master discourages 00:07:23

stages the master discourages 00:07:28

stages the master discourages intellectualization you know you come in 00:07:28

intellectualization you know you come in 00:07:31

intellectualization you know you come in with a lot of ideas but this difficulty 00:07:31

with a lot of ideas but this difficulty 00:07:33

with a lot of ideas but this difficulty you have is not going to be solved by 00:07:33

you have is not going to be solved by 00:07:35

you have is not going to be solved by ideas it's not going to be solved by 00:07:35

ideas it's not going to be solved by 00:07:37

ideas it's not going to be solved by talk and intellectualization so in the 00:07:37

talk and intellectualization so in the 00:07:40

talk and intellectualization so in the same way this is discouraged because 00:07:40

00:07:46

intellectualization sets up a kind of 00:07:46

intellectualization sets up a kind of 00:07:49

intellectualization sets up a kind of interval or lack of rapport between you 00:07:49

interval or lack of rapport between you 00:07:54

interval or lack of rapport between you and your life you think about things so 00:07:54

and your life you think about things so 00:08:02

and your life you think about things so much that you get into the state where 00:08:02

much that you get into the state where 00:08:05

much that you get into the state where you're eating the menu instead of the 00:08:05

you're eating the menu instead of the 00:08:07

you're eating the menu instead of the dinner you're valuing the money more 00:08:07

dinner you're valuing the money more 00:08:10

dinner you're valuing the money more than the wealth you are confusing as 00:08:10

than the wealth you are confusing as 00:08:14

than the wealth you are confusing as Kurbsky would say the map with the 00:08:14

Kurbsky would say the map with the 00:08:18

Kurbsky would say the map with the territory and what they want to do is to 00:08:18

territory and what they want to do is to 00:08:21

territory and what they want to do is to get you into the territory to get you 00:08:21

get you into the territory to get you 00:08:24

get you into the territory to get you into relationship with what is as 00:08:24

into relationship with what is as 00:08:27

into relationship with what is as distinct from ideas about what is and 00:08:27

distinct from ideas about what is and 00:08:32

distinct from ideas about what is and this is an important preliminary 00:08:32

this is an important preliminary 00:08:35

this is an important preliminary discipline but later on you can realize 00:08:35

discipline but later on you can realize 00:08:39

discipline but later on you can realize that the process of thinking is also 00:08:39

that the process of thinking is also 00:08:42

that the process of thinking is also what is 00:08:42

00:08:47

the thoughts in their own domain are as 00:08:47

the thoughts in their own domain are as 00:08:50

the thoughts in their own domain are as real as rocks words have their own 00:08:50

real as rocks words have their own 00:08:55

real as rocks words have their own reality as much as sky and water 00:08:55

00:09:02

thoughts about things are in them their 00:09:02

thoughts about things are in them their 00:09:05

thoughts about things are in them their own turn things and so they lead you 00:09:05

own turn things and so they lead you 00:09:10

own turn things and so they lead you eventually to the point where you 00:09:10

eventually to the point where you 00:09:13

eventually to the point where you intellectualize and think in an 00:09:13

intellectualize and think in an 00:09:17

intellectualize and think in an immediate way let's go on and ask then a 00:09:17

immediate way let's go on and ask then a 00:09:22

immediate way let's go on and ask then a further problem how about thinking about 00:09:22

further problem how about thinking about 00:09:24

further problem how about thinking about thinking wouldn't that be pretty far off 00:09:24

thinking wouldn't that be pretty far off 00:09:29

thinking wouldn't that be pretty far off here is a person removed from life 00:09:29

here is a person removed from life 00:09:31

here is a person removed from life because he's in the intellectual world 00:09:31

because he's in the intellectual world 00:09:33

because he's in the intellectual world and he's all in living in symbols he's a 00:09:33

and he's all in living in symbols he's a 00:09:35

and he's all in living in symbols he's a kind of a kind of a living bookworm 00:09:35

kind of a kind of a living bookworm 00:09:38

kind of a kind of a living bookworm now what about a librarian a person who 00:09:38

now what about a librarian a person who 00:09:43

now what about a librarian a person who writes books about books a bibliography 00:09:43

writes books about books a bibliography 00:09:46

writes books about books a bibliography a classifier of classifications that's a 00:09:46

a classifier of classifications that's a 00:09:51

a classifier of classifications that's a pretty dusty occupation and as we know 00:09:51

pretty dusty occupation and as we know 00:09:54

pretty dusty occupation and as we know sometimes librarians seem to be very 00:09:54

sometimes librarians seem to be very 00:09:57

sometimes librarians seem to be very dusty people they seem way removed from 00:09:57

dusty people they seem way removed from 00:10:02

dusty people they seem way removed from life all tied up in their categories and 00:10:02

life all tied up in their categories and 00:10:05

life all tied up in their categories and catalogs and musts and Muslims and that 00:10:05

00:10:13

too you see is also its own level of 00:10:13

too you see is also its own level of 00:10:17

too you see is also its own level of reality and thinking about thinking can 00:10:17

reality and thinking about thinking can 00:10:24

reality and thinking about thinking can be lived with just as much direct fresh 00:10:24

be lived with just as much direct fresh 00:10:26

be lived with just as much direct fresh spontaneity as just living without 00:10:26

spontaneity as just living without 00:10:29

spontaneity as just living without thinking 00:10:29