Subtitles

I wonder I wonder what you would do if 00:00:00

I wonder I wonder what you would do if 00:00:06

I wonder I wonder what you would do if you had the power to dream at night any 00:00:06

you had the power to dream at night any 00:00:09

you had the power to dream at night any dream you wanted to dream and you would 00:00:09

dream you wanted to dream and you would 00:00:14

dream you wanted to dream and you would have cost be able to alter your time 00:00:14

have cost be able to alter your time 00:00:16

have cost be able to alter your time sense and slip say 75 years of 00:00:16

sense and slip say 75 years of 00:00:21

sense and slip say 75 years of subjective time into eight hours of 00:00:21

subjective time into eight hours of 00:00:24

subjective time into eight hours of sleep you would I suppose start out by 00:00:24

sleep you would I suppose start out by 00:00:31

sleep you would I suppose start out by fulfilling all your wishes you could 00:00:31

fulfilling all your wishes you could 00:00:37

fulfilling all your wishes you could design for yourself what would be the 00:00:37

design for yourself what would be the 00:00:39

design for yourself what would be the most ecstatic life love affairs banquets 00:00:39

most ecstatic life love affairs banquets 00:00:45

most ecstatic life love affairs banquets dancing girls wonderful journeys gardens 00:00:45

dancing girls wonderful journeys gardens 00:00:51

dancing girls wonderful journeys gardens music beyond belief and then after a 00:00:51

music beyond belief and then after a 00:00:58

music beyond belief and then after a couple of months of this sort of thing 00:00:58

couple of months of this sort of thing 00:01:01

couple of months of this sort of thing at 75 years a night you'll be getting a 00:01:01

at 75 years a night you'll be getting a 00:01:06

at 75 years a night you'll be getting a little taste for something different and 00:01:06

little taste for something different and 00:01:10

little taste for something different and you would move over to an adventurous 00:01:10

you would move over to an adventurous 00:01:13

you would move over to an adventurous dimension where there were sudden 00:01:13

dimension where there were sudden 00:01:16

dimension where there were sudden dangers involved in the thrill of 00:01:16

dangers involved in the thrill of 00:01:18

dangers involved in the thrill of dealing with dangers and you could 00:01:18

dealing with dangers and you could 00:01:21

dealing with dangers and you could rescue princesses from dragons and go on 00:01:21

rescue princesses from dragons and go on 00:01:26

rescue princesses from dragons and go on dangerous journeys make wonderful 00:01:26

dangerous journeys make wonderful 00:01:32

dangerous journeys make wonderful explosions and blow them up eventually 00:01:32

explosions and blow them up eventually 00:01:36

explosions and blow them up eventually get into contest with enemies and after 00:01:36

get into contest with enemies and after 00:01:41

get into contest with enemies and after you done that for some time you'll think 00:01:41

you done that for some time you'll think 00:01:44

you done that for some time you'll think up a new wrinkle to forget that you were 00:01:44

up a new wrinkle to forget that you were 00:01:47

up a new wrinkle to forget that you were dreaming so that you would think it was 00:01:47

dreaming so that you would think it was 00:01:51

dreaming so that you would think it was all for real and to be anxious about it 00:01:51

all for real and to be anxious about it 00:01:56

all for real and to be anxious about it and then because to be so great when you 00:01:56

and then because to be so great when you 00:02:01

and then because to be so great when you woke up and then you say well like 00:02:01

woke up and then you say well like 00:02:07

woke up and then you say well like children who dare each other on things 00:02:07

children who dare each other on things 00:02:09

children who dare each other on things how far out could you get 00:02:09

00:02:13

what could you take what dimension of 00:02:13

what could you take what dimension of 00:02:15

what could you take what dimension of being lost of abandonment of your power 00:02:15

being lost of abandonment of your power 00:02:20

being lost of abandonment of your power what dimension of that could you stand 00:02:20

what dimension of that could you stand 00:02:22

what dimension of that could you stand you could ask yourself this because you 00:02:22

you could ask yourself this because you 00:02:24

you could ask yourself this because you know you'd eventually wake up and after 00:02:24

know you'd eventually wake up and after 00:02:29

know you'd eventually wake up and after you're gone on doing this you see for 00:02:29

you're gone on doing this you see for 00:02:30

you're gone on doing this you see for some time you would suddenly find 00:02:30

some time you would suddenly find 00:02:31

some time you would suddenly find yourself sitting around in this room 00:02:31

yourself sitting around in this room 00:02:35

yourself sitting around in this room with all your personal involvement 00:02:35

with all your personal involvement 00:02:38

with all your personal involvement problems etc talking with me how do you 00:02:38

problems etc talking with me how do you 00:02:44

problems etc talking with me how do you know that that that's not what you're 00:02:44

know that that that's not what you're 00:02:45

know that that that's not what you're doing it could be because after all what 00:02:45

doing it could be because after all what 00:02:50

doing it could be because after all what would you do if you were God if you were 00:02:50

would you do if you were God if you were 00:02:55

would you do if you were God if you were what there is the self in the Upanishads 00:02:55

what there is the self in the Upanishads 00:02:59

what there is the self in the Upanishads the basic text of Hinduism one of them 00:02:59

the basic text of Hinduism one of them 00:03:02

the basic text of Hinduism one of them starts out saying in the beginning was 00:03:02

starts out saying in the beginning was 00:03:04

starts out saying in the beginning was the self and looking around it said I am 00:03:04

the self and looking around it said I am 00:03:09

the self and looking around it said I am and thus it is that everyone to this day 00:03:09

and thus it is that everyone to this day 00:03:12

and thus it is that everyone to this day when asked who is there says it is I and 00:03:12

when asked who is there says it is I and 00:03:16

when asked who is there says it is I and thereafter gives whatever particular 00:03:16

thereafter gives whatever particular 00:03:18

thereafter gives whatever particular name he may have for if you were God and 00:03:18

name he may have for if you were God and 00:03:28

name he may have for if you were God and in this sense that you knew everything 00:03:28

in this sense that you knew everything 00:03:31

in this sense that you knew everything and she were completely transparent to 00:03:31

and she were completely transparent to 00:03:33

and she were completely transparent to yourself through and through you would 00:03:33

yourself through and through you would 00:03:37

yourself through and through you would be bored because 00:03:37

00:03:46

if looking at it from another way we 00:03:46

if looking at it from another way we 00:03:49

if looking at it from another way we push technology to its furthest possible 00:03:49

push technology to its furthest possible 00:03:52

push technology to its furthest possible development and we had instead of a dial 00:03:52

development and we had instead of a dial 00:03:56

development and we had instead of a dial telephone on one's desk a more complex 00:03:56

telephone on one's desk a more complex 00:03:59

telephone on one's desk a more complex system of buttons and one touch beep 00:03:59

system of buttons and one touch beep 00:04:05

system of buttons and one touch beep would give you anything you wanted 00:04:05

would give you anything you wanted 00:04:07

would give you anything you wanted Aladdin's lamp you would eventually have 00:04:07

Aladdin's lamp you would eventually have 00:04:12

Aladdin's lamp you would eventually have to introduce a button labeled surprise 00:04:12

00:04:19

because all perfectly known futures as i 00:04:19

because all perfectly known futures as i 00:04:22

because all perfectly known futures as i pointed out our past they have happened 00:04:22

pointed out our past they have happened 00:04:27

pointed out our past they have happened virtually it is only the true future is 00:04:27

virtually it is only the true future is 00:04:33

virtually it is only the true future is a surprise so if you were God you would 00:04:33

a surprise so if you were God you would 00:04:37

a surprise so if you were God you would say to yourself man get lost and it's 00:04:37

say to yourself man get lost and it's 00:04:44

say to yourself man get lost and it's strange that this idea is obscurely 00:04:44

strange that this idea is obscurely 00:04:47

strange that this idea is obscurely embedded in the Christian tradition when 00:04:47

embedded in the Christian tradition when 00:04:50

embedded in the Christian tradition when in the epistle to the Philippians sin 00:04:50

in the epistle to the Philippians sin 00:04:53

in the epistle to the Philippians sin Paul speaks of God the Son the logos the 00:04:53

Paul speaks of God the Son the logos the 00:04:58

Paul speaks of God the Son the logos the word of God who is incarnate in Christ 00:04:58

word of God who is incarnate in Christ 00:05:00

word of God who is incarnate in Christ and says let this mind be in you which 00:05:00

and says let this mind be in you which 00:05:05

and says let this mind be in you which was also in Christ Jesus who being in 00:05:05

was also in Christ Jesus who being in 00:05:09

was also in Christ Jesus who being in the form of God thought not equality 00:05:09

the form of God thought not equality 00:05:11

the form of God thought not equality with God a thing to be clung to but made 00:05:11

with God a thing to be clung to but made 00:05:16

with God a thing to be clung to but made himself of no reputation and humbled 00:05:16

himself of no reputation and humbled 00:05:19

himself of no reputation and humbled himself and was found in fashion as a 00:05:19

himself and was found in fashion as a 00:05:21

himself and was found in fashion as a man and became obedient to death same 00:05:21

man and became obedient to death same 00:05:27

man and became obedient to death same idea same ideas the idea of the dream 00:05:27

idea same ideas the idea of the dream 00:05:31

idea same ideas the idea of the dream and here at that very far out dream of 00:05:31

and here at that very far out dream of 00:05:35

and here at that very far out dream of getting as extreme as you can get 00:05:35

00:05:40

and so this then is the basis of the 00:05:40

and so this then is the basis of the 00:05:44

and so this then is the basis of the Hindu view of the universe and of man 00:05:44

00:05:49

the Hindu looks upon the universe as a 00:05:49

the Hindu looks upon the universe as a 00:05:52

the Hindu looks upon the universe as a drama the Westerner of course looks upon 00:05:52

drama the Westerner of course looks upon 00:05:57

drama the Westerner of course looks upon the universe as a construct as something 00:05:57

the universe as a construct as something 00:06:00

the universe as a construct as something made and it is not therefore 00:06:00

made and it is not therefore 00:06:03

made and it is not therefore insignificant that Jesus was the son of 00:06:03

insignificant that Jesus was the son of 00:06:05

insignificant that Jesus was the son of a carpenter the Chinese looks upon the 00:06:06

a carpenter the Chinese looks upon the 00:06:13

a carpenter the Chinese looks upon the universe as an organism as we shall 00:06:13

universe as an organism as we shall 00:06:15

universe as an organism as we shall subsequently see but the dramatic idea 00:06:15

subsequently see but the dramatic idea 00:06:19

subsequently see but the dramatic idea is basic to Hinduism now you can speak 00:06:19

is basic to Hinduism now you can speak 00:06:24

is basic to Hinduism now you can speak about Hinduism on two levels at least 00:06:24

about Hinduism on two levels at least 00:06:27

about Hinduism on two levels at least one I will call the metaphysical level 00:06:27

one I will call the metaphysical level 00:06:30

one I will call the metaphysical level and the other the mythological level if 00:06:30

and the other the mythological level if 00:06:35

and the other the mythological level if you speak on the metaphysical level you 00:06:35

you speak on the metaphysical level you 00:06:38

you speak on the metaphysical level you can speak only in negative language you 00:06:38

can speak only in negative language you 00:06:43

can speak only in negative language you can say what the divine the ultimate 00:06:43

can say what the divine the ultimate 00:06:46

can say what the divine the ultimate reality is not if you speak on the 00:06:46

reality is not if you speak on the 00:06:50

reality is not if you speak on the mythological level you may speak of what 00:06:50

mythological level you may speak of what 00:06:53

mythological level you may speak of what the divine is like because myth is not a 00:06:53

the divine is like because myth is not a 00:06:57

the divine is like because myth is not a falsehood as one uses the word in a 00:06:57

falsehood as one uses the word in a 00:07:00

falsehood as one uses the word in a sophisticated way a myth is an image a 00:07:00

sophisticated way a myth is an image a 00:07:03

sophisticated way a myth is an image a concrete image in terms of which man 00:07:03

concrete image in terms of which man 00:07:06

concrete image in terms of which man make sense of the world and thus the 00:07:06

make sense of the world and thus the 00:07:10

make sense of the world and thus the idea of God the Father or God the maker 00:07:10

idea of God the Father or God the maker 00:07:12

idea of God the Father or God the maker is a myth because it's an image and 00:07:12

is a myth because it's an image and 00:07:16

is a myth because it's an image and Christian theologians distinguish 00:07:16

Christian theologians distinguish 00:07:18

Christian theologians distinguish equally between two kinds of theological 00:07:18

equally between two kinds of theological 00:07:20

equally between two kinds of theological language which are respectively called 00:07:20

language which are respectively called 00:07:22

language which are respectively called katha phatak and apophatic apophatic 00:07:23

katha phatak and apophatic apophatic 00:07:27

katha phatak and apophatic apophatic language is negative as when we say God 00:07:27

language is negative as when we say God 00:07:30

language is negative as when we say God is infinite and eternal katha phatak 00:07:30

is infinite and eternal katha phatak 00:07:36

is infinite and eternal katha phatak language is mythological as when we say 00:07:36

language is mythological as when we say 00:07:38

language is mythological as when we say God the Father God is love and all the 00:07:38

God the Father God is love and all the 00:07:43

God the Father God is love and all the positive designations we are not saying 00:07:43

positive designations we are not saying 00:07:46

positive designations we are not saying God is a cosmic male parent but is 00:07:46

God is a cosmic male parent but is 00:07:49

God is a cosmic male parent but is analogous with the father 00:07:49

analogous with the father 00:07:52

analogous with the father so with Hinduism what I'm going to speak 00:07:52

so with Hinduism what I'm going to speak 00:07:55

so with Hinduism what I'm going to speak to you in first of all is the 00:07:55

to you in first of all is the 00:07:56

to you in first of all is the mythological language of Hinduism the 00:07:56

mythological language of Hinduism the 00:08:00

mythological language of Hinduism the idea of the universe as the big act the 00:08:00

idea of the universe as the big act the 00:08:05

idea of the universe as the big act the universe is God playing hide-and-seek 00:08:05

universe is God playing hide-and-seek 00:08:07

universe is God playing hide-and-seek with himself for God is thought how 00:08:07

with himself for God is thought how 00:08:12

with himself for God is thought how fundamentally to the Hindu as the self V 00:08:12

fundamentally to the Hindu as the self V 00:08:15

fundamentally to the Hindu as the self V self the cosmic I and it is a basic 00:08:15

self the cosmic I and it is a basic 00:08:24

self the cosmic I and it is a basic proposition for the Hindu that only the 00:08:24

proposition for the Hindu that only the 00:08:28

proposition for the Hindu that only the self the Godhead is real there is 00:08:28

self the Godhead is real there is 00:08:33

self the Godhead is real there is nothing other than the Godhead so that 00:08:33

nothing other than the Godhead so that 00:08:37

nothing other than the Godhead so that the appearance of the feeling that there 00:08:37

the appearance of the feeling that there 00:08:40

the appearance of the feeling that there are other things than the Godhead is 00:08:40

are other things than the Godhead is 00:08:43

are other things than the Godhead is called Maya Maya we ordinarily translate 00:08:43

called Maya Maya we ordinarily translate 00:08:56

called Maya Maya we ordinarily translate that word illusion but you must be 00:08:56

that word illusion but you must be 00:09:00

that word illusion but you must be careful about the word illusion illusion 00:09:00

careful about the word illusion illusion 00:09:02

careful about the word illusion illusion is related to the Latin Lou during and 00:09:02

is related to the Latin Lou during and 00:09:09

is related to the Latin Lou during and that means play and this is why the 00:09:09

that means play and this is why the 00:09:15

that means play and this is why the analogy of the world is dramatic it's a 00:09:15

analogy of the world is dramatic it's a 00:09:18

analogy of the world is dramatic it's a play in the sense of a stage play now 00:09:18

00:09:28

when you go to the theater you know what 00:09:28

when you go to the theater you know what 00:09:33

when you go to the theater you know what you're going to see is not for real 00:09:33

you're going to see is not for real 00:09:38

you're going to see is not for real because the proscenium arch tells you 00:09:38

because the proscenium arch tells you 00:09:42

because the proscenium arch tells you that that everything that happens on the 00:09:42

that that everything that happens on the 00:09:44

that that everything that happens on the far side of that arch is only in play 00:09:44

far side of that arch is only in play 00:09:47

far side of that arch is only in play not serious but the actor and you will 00:09:47

not serious but the actor and you will 00:09:53

not serious but the actor and you will hope that he will be good at it is going 00:09:53

hope that he will be good at it is going 00:09:55

hope that he will be good at it is going to try and persuade you that it's for 00:09:55

to try and persuade you that it's for 00:09:57

to try and persuade you that it's for real so that he will so move you that 00:09:57

real so that he will so move you that 00:10:01

real so that he will so move you that you are crying or sitting in anxiety 00:10:01

you are crying or sitting in anxiety 00:10:03

you are crying or sitting in anxiety upon the edge of your chair 00:10:04

upon the edge of your chair 00:10:06

upon the edge of your chair and so the audience is almost persuaded 00:10:06

and so the audience is almost persuaded 00:10:10

and so the audience is almost persuaded to be taken in now what about if this 00:10:10

to be taken in now what about if this 00:10:15

to be taken in now what about if this would happen with the very best actor of 00:10:15

would happen with the very best actor of 00:10:17

would happen with the very best actor of all the great actor the audience would 00:10:17

all the great actor the audience would 00:10:21

all the great actor the audience would have cost be completely taken in but in 00:10:21

have cost be completely taken in but in 00:10:24

have cost be completely taken in but in this case of course the actor and the 00:10:24

this case of course the actor and the 00:10:26

this case of course the actor and the audience are the same the self the self 00:10:26

audience are the same the self the self 00:10:31

audience are the same the self the self has thus the capacity to abandon itself 00:10:31

has thus the capacity to abandon itself 00:10:34

has thus the capacity to abandon itself to forget itself to hide from itself and 00:10:34

to forget itself to hide from itself and 00:10:36

to forget itself to hide from itself and thus to make the most completely 00:10:36

thus to make the most completely 00:10:39

thus to make the most completely convincing illusion but in play and so 00:10:39

convincing illusion but in play and so 00:10:43

convincing illusion but in play and so the activity the creative activity of 00:10:43

the activity the creative activity of 00:10:45

the activity the creative activity of the Godhead in Hinduism is called leela 00:10:45

the Godhead in Hinduism is called leela 00:10:49

the Godhead in Hinduism is called leela which means play our word lilt is 00:10:49

which means play our word lilt is 00:10:54

which means play our word lilt is related to it I think but so also in the 00:10:54

related to it I think but so also in the 00:10:58

related to it I think but so also in the book of Proverbs you will find a 00:10:58

book of Proverbs you will find a 00:11:02

book of Proverbs you will find a discourse being given by the divine 00:11:02

discourse being given by the divine 00:11:05

discourse being given by the divine wisdom the Lord possessed me in the 00:11:05

wisdom the Lord possessed me in the 00:11:07

wisdom the Lord possessed me in the beginning of his ways before his works 00:11:07

beginning of his ways before his works 00:11:08

beginning of his ways before his works of old I think it's the twenty-second 00:11:08

of old I think it's the twenty-second 00:11:11

of old I think it's the twenty-second chapter of proverbs in the course of 00:11:11

chapter of proverbs in the course of 00:11:13

chapter of proverbs in the course of which the wisdom says that it's delight 00:11:13

which the wisdom says that it's delight 00:11:20

which the wisdom says that it's delight whilst to rejoice the King James Bible 00:11:20

whilst to rejoice the King James Bible 00:11:22

whilst to rejoice the King James Bible says in the presence of God and with the 00:11:22

says in the presence of God and with the 00:11:26

says in the presence of God and with the sons of men but the Hebrew translated 00:11:26

sons of men but the Hebrew translated 00:11:29

sons of men but the Hebrew translated rejoice says play rejoices are sort of 00:11:29

rejoice says play rejoices are sort of 00:11:35

rejoice says play rejoices are sort of dignified Elizabethan but it says play 00:11:35

dignified Elizabethan but it says play 00:11:39

dignified Elizabethan but it says play Anson Thomas aware of this said that the 00:11:39

Anson Thomas aware of this said that the 00:11:43

Anson Thomas aware of this said that the divine wisdom was above all to be 00:11:43

divine wisdom was above all to be 00:11:46

divine wisdom was above all to be compared with games because games are 00:11:46

compared with games because games are 00:11:49

compared with games because games are played for their own sake and not for 00:11:49

played for their own sake and not for 00:11:52

played for their own sake and not for any sort of ulterior motive so also 00:11:52

any sort of ulterior motive so also 00:11:57

any sort of ulterior motive so also music is a kind of non purposive thing 00:11:57

music is a kind of non purposive thing 00:12:02

music is a kind of non purposive thing because you don't either play music to 00:12:02

because you don't either play music to 00:12:06

because you don't either play music to reach a destination nor do you dance to 00:12:06

reach a destination nor do you dance to 00:12:09

reach a destination nor do you dance to reach a particular place on the floor it 00:12:10

reach a particular place on the floor it 00:12:13

reach a particular place on the floor it is the doing of it itself that is 00:12:13

is the doing of it itself that is 00:12:16

is the doing of it itself that is important because after all if the 00:12:16

important because after all if the 00:12:18

important because after all if the object of music were to gain 00:12:18

object of music were to gain 00:12:19

object of music were to gain sudden destination those orchestras that 00:12:19

sudden destination those orchestras that 00:12:22

sudden destination those orchestras that played fastest would be considered the 00:12:22

played fastest would be considered the 00:12:24

played fastest would be considered the best so the the idea is that the that 00:12:24

best so the the idea is that the that 00:12:30

best so the the idea is that the that dancing and music more than other arts 00:12:30

dancing and music more than other arts 00:12:35

dancing and music more than other arts represent the nature of this world that 00:12:35

represent the nature of this world that 00:12:39

represent the nature of this world that it is playful that it is sport that is 00:12:39

it is playful that it is sport that is 00:12:42

it is playful that it is sport that is maybe sincere but is definitely not 00:12:42

maybe sincere but is definitely not 00:12:44

maybe sincere but is definitely not serious and as GK Chesterton well put it 00:12:44

serious and as GK Chesterton well put it 00:12:48

serious and as GK Chesterton well put it once the Angels fly because they take 00:12:48

once the Angels fly because they take 00:12:51

once the Angels fly because they take themselves lightly how much more so the 00:12:51

themselves lightly how much more so the 00:12:59

themselves lightly how much more so the lord of the angels so if a beautiful 00:12:59

lord of the angels so if a beautiful 00:13:05

lord of the angels so if a beautiful lady should say to me i love you and i 00:13:05

lady should say to me i love you and i 00:13:11

lady should say to me i love you and i were to reply are you serious or are you 00:13:11

were to reply are you serious or are you 00:13:14

were to reply are you serious or are you just playing with me that would be quite 00:13:14

just playing with me that would be quite 00:13:17

just playing with me that would be quite the wrong response because i hope she's 00:13:17

the wrong response because i hope she's 00:13:19

the wrong response because i hope she's not serious and that she will play with 00:13:19

not serious and that she will play with 00:13:21

not serious and that she will play with me i should say are you sincere or are 00:13:21

me i should say are you sincere or are 00:13:26

me i should say are you sincere or are you just toying with me because you see 00:13:26

you just toying with me because you see 00:13:28

you just toying with me because you see the word play has many different senses 00:13:28

the word play has many different senses 00:13:31

the word play has many different senses a person who is playing the organ in 00:13:31

a person who is playing the organ in 00:13:35

a person who is playing the organ in church is certainly not doing something 00:13:35

church is certainly not doing something 00:13:37

church is certainly not doing something trivial when you go to see a play called 00:13:37

trivial when you go to see a play called 00:13:40

trivial when you go to see a play called Hamlet you are not seeing something 00:13:40

Hamlet you are not seeing something 00:13:42

Hamlet you are not seeing something trivial when the concert artist plays 00:13:42

trivial when the concert artist plays 00:13:46

trivial when the concert artist plays mozart he is suddenly entertaining you 00:13:46

mozart he is suddenly entertaining you 00:13:49

mozart he is suddenly entertaining you but it's not a trivial entertainment but 00:13:49

but it's not a trivial entertainment but 00:13:53

but it's not a trivial entertainment but on the other hand we would use play in a 00:13:53

on the other hand we would use play in a 00:13:56

on the other hand we would use play in a quite a different sense when we mean 00:13:56

quite a different sense when we mean 00:13:58

quite a different sense when we mean just fooling around doing it for kicks 00:13:58

00:14:04

so it is fundamental as a matter of fact 00:14:04

so it is fundamental as a matter of fact 00:14:06

so it is fundamental as a matter of fact to both the Hindu and the Christian 00:14:06

to both the Hindu and the Christian 00:14:08

to both the Hindu and the Christian traditions that the universe is the play 00:14:08

traditions that the universe is the play 00:14:11

traditions that the universe is the play of God but the Christian thinks of it in 00:14:11

of God but the Christian thinks of it in 00:14:15

of God but the Christian thinks of it in the terms of a construction play like 00:14:15

the terms of a construction play like 00:14:19

the terms of a construction play like building with blocks and the Hindu 00:14:19

building with blocks and the Hindu 00:14:22

building with blocks and the Hindu thinks of it as dramatic play of the 00:14:22

thinks of it as dramatic play of the 00:14:25

thinks of it as dramatic play of the actual participation of the Godhead in 00:14:25

actual participation of the Godhead in 00:14:28

actual participation of the Godhead in the creation so that every being 00:14:28

the creation so that every being 00:14:31

the creation so that every being whatsoever is God in 00:14:31

whatsoever is God in 00:14:33

whatsoever is God in Skye's Hinduism speaks of the Godhead as 00:14:33

Skye's Hinduism speaks of the Godhead as 00:14:39

Skye's Hinduism speaks of the Godhead as you uses the word Brotman this is a 00:14:39

you uses the word Brotman this is a 00:14:45

you uses the word Brotman this is a neuter form in Sanskrit from the root 00:14:45

neuter form in Sanskrit from the root 00:14:50

neuter form in Sanskrit from the root brief which means to grow to expand to 00:14:50

brief which means to grow to expand to 00:14:58

brief which means to grow to expand to swell the new to form brotman does not 00:14:58

swell the new to form brotman does not 00:15:07

swell the new to form brotman does not have quite the connotation then you see 00:15:07

have quite the connotation then you see 00:15:09

have quite the connotation then you see of kingship that we will find attached 00:15:09

of kingship that we will find attached 00:15:13

of kingship that we will find attached to the Western idea of God but is also 00:15:13

to the Western idea of God but is also 00:15:17

to the Western idea of God but is also referred to as admin and this word we 00:15:17

referred to as admin and this word we 00:15:23

referred to as admin and this word we translate ordinarily the self so you can 00:15:23

translate ordinarily the self so you can 00:15:27

translate ordinarily the self so you can have the para Haram you put the M in to 00:15:27

have the para Haram you put the M in to 00:15:35

have the para Haram you put the M in to connect the particle Paramatma which 00:15:35

connect the particle Paramatma which 00:15:38

connect the particle Paramatma which means / are the supreme self or 00:15:38

means / are the supreme self or 00:15:44

means / are the supreme self or sometimes just the Atman alone and that 00:15:44

sometimes just the Atman alone and that 00:15:47

sometimes just the Atman alone and that means the self in you but the 00:15:47

means the self in you but the 00:15:50

means the self in you but the fundamental principle of Indian 00:15:50

fundamental principle of Indian 00:15:53

fundamental principle of Indian philosophy is Atman is Brahman yourself 00:15:53

philosophy is Atman is Brahman yourself 00:15:58

philosophy is Atman is Brahman yourself is the supreme self or it is expressed 00:15:58

is the supreme self or it is expressed 00:16:04

is the supreme self or it is expressed in also in the formula taught to run I 00:16:04

in also in the formula taught to run I 00:16:09

in also in the formula taught to run I see colloquially translated your it or 00:16:09

see colloquially translated your it or 00:16:15

see colloquially translated your it or cut that to run Latin to UM you ah see 00:16:15

cut that to run Latin to UM you ah see 00:16:21

cut that to run Latin to UM you ah see ah your you are that that thou art touch 00:16:21

ah your you are that that thou art touch 00:16:27

ah your you are that that thou art touch of course is the first word uttered by 00:16:27

of course is the first word uttered by 00:16:31

of course is the first word uttered by baby da da doctor and fathers flatter 00:16:31

baby da da doctor and fathers flatter 00:16:36

baby da da doctor and fathers flatter themselves that it's saying Dada it's 00:16:36

themselves that it's saying Dada it's 00:16:38

themselves that it's saying Dada it's not saying that da da da 00:16:38

not saying that da da da 00:16:43

not saying that da da da and so it's pointing to that pneus in 00:16:43

and so it's pointing to that pneus in 00:16:48

and so it's pointing to that pneus in everything it's very important to see 00:16:48

everything it's very important to see 00:16:50

everything it's very important to see this because some everything is just 00:16:50

this because some everything is just 00:16:59

this because some everything is just that I can say in a negative way which 00:16:59

that I can say in a negative way which 00:17:06

that I can say in a negative way which you won't appreciate it first perhaps 00:17:06

you won't appreciate it first perhaps 00:17:08

you won't appreciate it first perhaps everything is meaningless only words 00:17:08

everything is meaningless only words 00:17:12

everything is meaningless only words have meaning because they point to 00:17:12

have meaning because they point to 00:17:16

have meaning because they point to something other than themselves the 00:17:16

something other than themselves the 00:17:18

something other than themselves the sound water is undrinkable but it points 00:17:18

sound water is undrinkable but it points 00:17:23

sound water is undrinkable but it points to the drinkable reality but you say 00:17:23

to the drinkable reality but you say 00:17:27

to the drinkable reality but you say there what is that pointing at the water 00:17:27

there what is that pointing at the water 00:17:29

there what is that pointing at the water and somebody says water he's not being 00:17:29

and somebody says water he's not being 00:17:32

and somebody says water he's not being correct because what you're pointing at 00:17:32

correct because what you're pointing at 00:17:34

correct because what you're pointing at is not the noise water so it's not water 00:17:34

is not the noise water so it's not water 00:17:37

is not the noise water so it's not water it's that da and waters are kind of jazz 00:17:37

it's that da and waters are kind of jazz 00:17:44

it's that da and waters are kind of jazz little blip blip blip blip and it's just 00:17:44

little blip blip blip blip and it's just 00:17:49

little blip blip blip blip and it's just doing that and you can get see two 00:17:49

doing that and you can get see two 00:17:53

doing that and you can get see two people are a kind of jazz they talk and 00:17:53

people are a kind of jazz they talk and 00:17:57

people are a kind of jazz they talk and communicate with each other but what 00:17:57

communicate with each other but what 00:17:58

communicate with each other but what does that mean well they get together 00:17:58

does that mean well they get together 00:18:01

does that mean well they get together and they make more people and they do 00:18:01

and they make more people and they do 00:18:02

and they make more people and they do this and they do that and they eat and 00:18:02

this and they do that and they eat and 00:18:04

this and they do that and they eat and they go on doing this job but it's just 00:18:04

they go on doing this job but it's just 00:18:06

they go on doing this job but it's just as you begin to see as you do that 00:18:06

as you begin to see as you do that 00:18:11

as you begin to see as you do that everything's like music you see it's all 00:18:11

everything's like music you see it's all 00:18:13

everything's like music you see it's all is complicated vibrations can catch you 00:18:13

is complicated vibrations can catch you 00:18:15

is complicated vibrations can catch you could you could you could you could you 00:18:15

could you could you could you could you 00:18:16

could you could you could you could you could you could you could you could you 00:18:16

could you could you could you could you 00:18:17

could you could you could you could you could you could you could you or in all 00:18:17

could you could you could you or in all 00:18:19

could you could you could you or in all kinds of ways that's that or that pneus 00:18:19

kinds of ways that's that or that pneus 00:18:23

kinds of ways that's that or that pneus fatah also called in Sanskrit so anyway 00:18:23

fatah also called in Sanskrit so anyway 00:18:28

fatah also called in Sanskrit so anyway this is the fundamental notion that you 00:18:28

this is the fundamental notion that you 00:18:31

this is the fundamental notion that you are are really what there is the works 00:18:31

are are really what there is the works 00:18:38

are are really what there is the works only you're playing hide and seek with 00:18:38

only you're playing hide and seek with 00:18:40

only you're playing hide and seek with yourself and on a stupendous scale 00:18:40

00:18:46

Hindus measure time in units which in 00:18:46

Hindus measure time in units which in 00:18:50

Hindus measure time in units which in sanskrit are called kalpa 00:18:50

00:18:54

and a kalpa is a period of four million 00:18:54

and a kalpa is a period of four million 00:18:59

and a kalpa is a period of four million three hundred and twenty thousand years 00:18:59

three hundred and twenty thousand years 00:19:01

three hundred and twenty thousand years and there are two kinds of Cal per one 00:19:01

and there are two kinds of Cal per one 00:19:09

and there are two kinds of Cal per one is called manvantara and the other is 00:19:09

is called manvantara and the other is 00:19:18

is called manvantara and the other is called pralaya manvantara is the cal per 00:19:18

called pralaya manvantara is the cal per 00:19:28

called pralaya manvantara is the cal per in which the universe tis manifested in 00:19:28

in which the universe tis manifested in 00:19:30

in which the universe tis manifested in other words in which God puts on his big 00:19:30

other words in which God puts on his big 00:19:33

other words in which God puts on his big act and pralaya is the cal per 00:19:33

act and pralaya is the cal per 00:19:37

act and pralaya is the cal per succeeding kalpa in which the universe 00:19:37

succeeding kalpa in which the universe 00:19:40

succeeding kalpa in which the universe is unmanifested and the Godhead does not 00:19:40

is unmanifested and the Godhead does not 00:19:44

is unmanifested and the Godhead does not dream but is awake to its own nature so 00:19:44

dream but is awake to its own nature so 00:19:49

dream but is awake to its own nature so that for these are called respectively 00:19:49

that for these are called respectively 00:19:52

that for these are called respectively the days and the Knights of the brahmana 00:19:52

the days and the Knights of the brahmana 00:19:54

the days and the Knights of the brahmana and this goes on forever and ever and 00:19:54

and this goes on forever and ever and 00:19:58

and this goes on forever and ever and ever and ever the days and nights adding 00:19:58

ever and ever the days and nights adding 00:20:02

ever and ever the days and nights adding up in two years and centuries and eons 00:20:02

00:20:14

they speak of craw there's a Sanskrit 00:20:14

they speak of craw there's a Sanskrit 00:20:17

they speak of craw there's a Sanskrit measure cross CRO re sort of a word that 00:20:17

measure cross CRO re sort of a word that 00:20:21

measure cross CRO re sort of a word that really I think means umpteen craws of 00:20:21

really I think means umpteen craws of 00:20:26

really I think means umpteen craws of CalPERS and this is the in breathing and 00:20:26

CalPERS and this is the in breathing and 00:20:33

CalPERS and this is the in breathing and the out breathing ah there's the word 00:20:33

the out breathing ah there's the word 00:20:37

the out breathing ah there's the word hung saw in this word in Sanskrit hung 00:20:37

hung saw in this word in Sanskrit hung 00:20:42

hung saw in this word in Sanskrit hung saw means a swan or a big water bird 00:20:42

saw means a swan or a big water bird 00:20:48

saw means a swan or a big water bird like a gander there's a myth that the 00:20:48

like a gander there's a myth that the 00:20:52

like a gander there's a myth that the there is in the beginning the divine 00:20:52

there is in the beginning the divine 00:20:54

there is in the beginning the divine bird which lays the egg of the world and 00:20:54

bird which lays the egg of the world and 00:20:57

bird which lays the egg of the world and the egg splits and the upper is the 00:20:57

the egg splits and the upper is the 00:20:59

the egg splits and the upper is the heavens and the lower is the earth now 00:20:59

heavens and the lower is the earth now 00:21:04

heavens and the lower is the earth now so when the worlds are manifested the 00:21:04

so when the worlds are manifested the 00:21:10

so when the worlds are manifested the Lord breathing out says tongue and when 00:21:11

Lord breathing out says tongue and when 00:21:15

Lord breathing out says tongue and when the wells are withdrawn the breath comes 00:21:15

the wells are withdrawn the breath comes 00:21:17

the wells are withdrawn the breath comes back come but if you say hung sarang 00:21:17

back come but if you say hung sarang 00:21:25

back come but if you say hung sarang sarang sarang it becomes sung ha ha ha 00:21:25

sarang sarang it becomes sung ha ha ha 00:21:32

sarang sarang it becomes sung ha ha ha hung that means saw means that the truth 00:21:32

hung that means saw means that the truth 00:21:37

hung that means saw means that the truth uh-huh I am I am that it's like imagine 00:21:37

uh-huh I am I am that it's like imagine 00:21:45

uh-huh I am I am that it's like imagine when we get to the final moment in which 00:21:46

when we get to the final moment in which 00:21:51

when we get to the final moment in which the world is blown up you know imagine 00:21:51

the world is blown up you know imagine 00:21:55

the world is blown up you know imagine the countdown this is the end somebody's 00:21:55

the countdown this is the end somebody's 00:21:58

the countdown this is the end somebody's push the button eight seven six five 00:21:58

push the button eight seven six five 00:22:01

push the button eight seven six five four three two one 00:22:01

00:22:33

what are you listening to sound of the 00:22:33

what are you listening to sound of the 00:22:37

what are you listening to sound of the waves 00:22:37

00:22:46

and you can sit and listen to the little 00:22:46

and you can sit and listen to the little 00:22:48

and you can sit and listen to the little waves on the sea shore you'll get back 00:22:48

waves on the sea shore you'll get back 00:22:51

waves on the sea shore you'll get back here into this kind of thinking and you 00:22:51

here into this kind of thinking and you 00:22:53

here into this kind of thinking and you are hearing the ocean of the universe 00:22:53

are hearing the ocean of the universe 00:22:55

are hearing the ocean of the universe going and that's your breathing too it's 00:22:55

going and that's your breathing too it's 00:22:59

going and that's your breathing too it's all one rhythm so it may be that every 00:22:59

all one rhythm so it may be that every 00:23:06

all one rhythm so it may be that every star was once a planet populated by 00:23:06

star was once a planet populated by 00:23:09

star was once a planet populated by intelligent people who found out about 00:23:09

intelligent people who found out about 00:23:12

intelligent people who found out about the fundamental energy of the universe 00:23:12

the fundamental energy of the universe 00:23:13

the fundamental energy of the universe and blew themselves up and as they blew 00:23:13

and blew themselves up and as they blew 00:23:17

and blew themselves up and as they blew up they scattered all kinds of stuff out 00:23:17

up they scattered all kinds of stuff out 00:23:18

up they scattered all kinds of stuff out which became little planets which in a 00:23:18

which became little planets which in a 00:23:23

which became little planets which in a long time life started all over again 00:23:23

long time life started all over again 00:23:26

long time life started all over again because the Hindu theory is very odd 00:23:26

because the Hindu theory is very odd 00:23:30

because the Hindu theory is very odd every Cal part in a man Ventura period 00:23:30

every Cal part in a man Ventura period 00:23:33

every Cal part in a man Ventura period whether the manifested world is divided 00:23:33

whether the manifested world is divided 00:23:35

whether the manifested world is divided into four subdivisions of time each one 00:23:35

into four subdivisions of time each one 00:23:39

into four subdivisions of time each one of which is called a Yuga that means 00:23:39

of which is called a Yuga that means 00:23:45

of which is called a Yuga that means roughly an epoch or an era and there are 00:23:45

roughly an epoch or an era and there are 00:23:49

roughly an epoch or an era and there are four yugas and they're named after the 00:23:49

four yugas and they're named after the 00:23:51

four yugas and they're named after the different throws in the Indian game of 00:23:51

different throws in the Indian game of 00:23:53

different throws in the Indian game of dice there are four sub throws and the 00:23:53

dice there are four sub throws and the 00:23:58

dice there are four sub throws and the first is called kreta that means Cree 00:23:58

first is called kreta that means Cree 00:24:04

first is called kreta that means Cree means to do is when we say something is 00:24:04

means to do is when we say something is 00:24:07

means to do is when we say something is done truly done it's the perfect throw 00:24:07

done truly done it's the perfect throw 00:24:09

done truly done it's the perfect throw of four the second is called threader 00:24:09

of four the second is called threader 00:24:14

of four the second is called threader which is the throw of three the next is 00:24:14

which is the throw of three the next is 00:24:18

which is the throw of three the next is called vive para which is the throw of 00:24:18

called vive para which is the throw of 00:24:20

called vive para which is the throw of two and the final one is called Kali 00:24:20

two and the final one is called Kali 00:24:24

two and the final one is called Kali which means the worst throw which is the 00:24:24

which means the worst throw which is the 00:24:27

which means the worst throw which is the throw of one now each of these periods 00:24:27

throw of one now each of these periods 00:24:32

throw of one now each of these periods of the cowper are of different lengths 00:24:32

of the cowper are of different lengths 00:24:35

of the cowper are of different lengths kreta is the longest and kali is the 00:24:35

kreta is the longest and kali is the 00:24:37

kreta is the longest and kali is the shortest and so arranged so that when 00:24:37

shortest and so arranged so that when 00:24:41

shortest and so arranged so that when the world is first manifested as in 00:24:41

the world is first manifested as in 00:24:44

the world is first manifested as in those dreams that i were mentioning to 00:24:44

those dreams that i were mentioning to 00:24:45

those dreams that i were mentioning to you the world is in a golden age to 00:24:45

you the world is in a golden age to 00:24:48

you the world is in a golden age to begin with it's perfect and that is the 00:24:48

begin with it's perfect and that is the 00:24:51

begin with it's perfect and that is the longest period of time then when we get 00:24:51

longest period of time then when we get 00:24:55

longest period of time then when we get a little bit more adventurous you see 00:24:55

a little bit more adventurous you see 00:24:57

a little bit more adventurous you see the treta means that in 00:24:57

the treta means that in 00:25:00

the treta means that in this era a kind of dis harmonious 00:25:00

this era a kind of dis harmonious 00:25:02

this era a kind of dis harmonious element enters into things it's like a 00:25:02

element enters into things it's like a 00:25:05

element enters into things it's like a three-legged chair isn't so secure as a 00:25:05

three-legged chair isn't so secure as a 00:25:07

three-legged chair isn't so secure as a four legged chair it's just a bit 00:25:07

four legged chair it's just a bit 00:25:09

four legged chair it's just a bit inclined to tip and as there was a fly 00:25:09

inclined to tip and as there was a fly 00:25:14

inclined to tip and as there was a fly in the ointment the snake in the garden 00:25:14

in the ointment the snake in the garden 00:25:18

in the ointment the snake in the garden then comes drop era in which the forces 00:25:18

then comes drop era in which the forces 00:25:22

then comes drop era in which the forces of good and evil are equally balanced 00:25:22

of good and evil are equally balanced 00:25:24

of good and evil are equally balanced and finally Kali which is the shortest 00:25:24

and finally Kali which is the shortest 00:25:29

and finally Kali which is the shortest period where the forces of evil are 00:25:29

period where the forces of evil are 00:25:31

period where the forces of evil are triumphant and the world is destroyed at 00:25:31

triumphant and the world is destroyed at 00:25:34

triumphant and the world is destroyed at the end of it for them the Godhead 00:25:34

the end of it for them the Godhead 00:25:36

the end of it for them the Godhead appears in the form of Shiva who 00:25:36

appears in the form of Shiva who 00:25:40

appears in the form of Shiva who represents the destructive aspect of the 00:25:40

represents the destructive aspect of the 00:25:43

represents the destructive aspect of the divine energy and aware as Brahma is the 00:25:43

divine energy and aware as Brahma is the 00:25:47

divine energy and aware as Brahma is the creative Vishnu the preserver Shiva the 00:25:47

creative Vishnu the preserver Shiva the 00:25:50

creative Vishnu the preserver Shiva the destroyer but Shiva is always the 00:25:50

destroyer but Shiva is always the 00:25:52

destroyer but Shiva is always the destroyer in the sense of the Liberator 00:25:52

destroyer in the sense of the Liberator 00:25:54

destroyer in the sense of the Liberator the guy who breaks up the ruts and he 00:25:54

the guy who breaks up the ruts and he 00:25:59

the guy who breaks up the ruts and he comes on with a blue body and ten arms 00:25:59

comes on with a blue body and ten arms 00:26:01

comes on with a blue body and ten arms and a necklace of skulls Indian gods 00:26:01

and a necklace of skulls Indian gods 00:26:06

and a necklace of skulls Indian gods have many arms because their cosmic 00:26:06

have many arms because their cosmic 00:26:09

have many arms because their cosmic centipedes they do all things without 00:26:09

centipedes they do all things without 00:26:13

centipedes they do all things without having to think about it like the 00:26:13

having to think about it like the 00:26:14

having to think about it like the centipede doesn't have to think about 00:26:14

centipede doesn't have to think about 00:26:16

centipede doesn't have to think about how to manipulate its legs like you 00:26:16

how to manipulate its legs like you 00:26:18

how to manipulate its legs like you don't have to think how to grow your 00:26:18

don't have to think how to grow your 00:26:19

don't have to think how to grow your hair and as Shiva dance is what is 00:26:19

hair and as Shiva dance is what is 00:26:23

hair and as Shiva dance is what is called the Tandava which is the dance of 00:26:23

called the Tandava which is the dance of 00:26:25

called the Tandava which is the dance of destruction at the end of the cycle at 00:26:25

destruction at the end of the cycle at 00:26:26

destruction at the end of the cycle at the end of the cowper you will see that 00:26:26

the end of the cowper you will see that 00:26:30

the end of the cowper you will see that his hands contain clubs and knives and 00:26:30

his hands contain clubs and knives and 00:26:33

his hands contain clubs and knives and bells but one hand is like that and that 00:26:33

bells but one hand is like that and that 00:26:37

bells but one hand is like that and that gesture means don't be afraid it's a big 00:26:37

gesture means don't be afraid it's a big 00:26:40

gesture means don't be afraid it's a big act it is all as it were the outflowing 00:26:40

act it is all as it were the outflowing 00:26:45

act it is all as it were the outflowing of your own consciousness of your own 00:26:45

of your own consciousness of your own 00:26:48

of your own consciousness of your own mind now then 00:26:48

mind now then 00:26:55

mind now then the Hindu life is related to this 00:26:55

the Hindu life is related to this 00:26:59

the Hindu life is related to this cosmology and the objective of life is 00:26:59

cosmology and the objective of life is 00:27:12

cosmology and the objective of life is of course in the end to wake up from the 00:27:12

of course in the end to wake up from the 00:27:15

of course in the end to wake up from the dream when you've had enough and so the 00:27:15

dream when you've had enough and so the 00:27:21

dream when you've had enough and so the dreaming process is called sometimes 00:27:21

dreaming process is called sometimes 00:27:24

dreaming process is called sometimes samsara samsara um is the round the rat 00:27:24

samsara samsara um is the round the rat 00:27:37

samsara samsara um is the round the rat race and samsara is divided into six 00:27:37

race and samsara is divided into six 00:27:45

race and samsara is divided into six divisions I better draw a map I think 00:27:45

divisions I better draw a map I think 00:27:54

divisions I better draw a map I think this is common you see cosmology to both 00:27:54

this is common you see cosmology to both 00:27:57

this is common you see cosmology to both the Hindus and the Buddhists 00:27:57